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Drama

A staple for us and for many if you fancy a more traditional play. When we first started Everything Theatre it was specifically to review drama. We’ve branched out over the years, but it will always be a favourite of ours.

Fabric, Soho Theatre – Review

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Pros: The universality of the scenario portrayed. Cons: The lack of insight and character development. Sexism is ingrained in the very fabric of society and I can’t think of a single woman who hasn’t experienced it throughout life. In the case of Leah (played by the mesmerising Nancy Sullivan) this disparity is taken to the extreme, with life-changing events in which men always have the upper hand. Working in a bespoke tailoring boutique in Savile Row, thirty-year old Leah is ...

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Unfolded, The Bread and Roses Theatre – Review

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Pro’s: The event constitutes a valid and accessible platform to discuss socio-political issues. Con’s: A bit of background information about some of the stories would have been useful. With the intention of exploring how global events have an impact on every-day life, Some People Productions put a call out a few months ago, looking for young political writers with a story to tell. The outcome is the second edition of their sell-out ‘quick-writing response magazine-theatre night’, where six 15-minute long ...

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Midnight, Union Theatre – Review

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Pros: Catchy tunes, zingy one-liners and great performances. A hugely enjoyable riot. Cons: The play takes a little time to warm up, but the wait is worth it. When the devil sings, he roars, he reigns. New Year’s Eve, at the height of Stalin’s Great Purge. A young couple try to create a moment of solace in their little flat. A mysterious visitor brutally invites himself into their home. Time stops, and an air of wonderful menace hangs over the stage. Adapted from Elchin’s ...

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Missing, Battersea Arts Centre – Review

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Pros: An exhilarating performance that barely uses words, but takes your breath away and makes you feel so much.   Cons: You have to interpret and feel the show, rather than be given all the answers. In 2015, Battersea Arts Centre’s Grand Hall was engulfed by flames. With perseverance and hard work by the firefighters and theatre team, the front of the building was opened 26 hours later. With the support of over 6,000 people, they raised funds, re-housed shows and ...

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Blood Wedding, Omnibus Theatre – Review

Racheal Ofori and Ash Rizi (Bride and Leo) web pic credit Nick Arthur Daniel

Pro’s: Intensely dramatic and beautiful adaptation of classic; not one to miss. Con’s: Anything that wasn’t quite up-to-scratch was forgiveable, and more than made up for. Lorca’s classic is given the modern-day London treatment by a multinational, multi-talented cast. Boldly and subtly adapted into the 21st Century, this production of Blood Wedding seamlessly weaves the everyday of 2018 into the grand and timeless themes presented first in Madrid 85 years ago. This adaptation of what is, at its simplest, a ...

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