A riotously fun crowd-pleaser which wraps glitter and fluff around an intelligent and utterly convincing message.

Pros: Great music and sound, riveting movement, a lot of vitamin C Cons: More guidance about context before the show would have enhanced the experience. We filed into the space as two performers (one male, one female) danced beside each other to the kind of insistent Dancehall beat that tempts surreptitious chair-dancing. Both were dressed the same, in clothes that hid nothing: fishnet body stockings, matching trainers, tiny nipple shields. Naked equals. The atmosphere was intimate but inward-looking, devoid of ...

A mad dash through some of pop culture’s most iconic Drag moments.

A mind-bending, thoroughly enjoyable romp through several centuries of music and marriage.

This intergalactic show probes your senses like E.T.’s glittered finger!

A snappy 45 minutes of drama, consisting of two short plays, to fit into your lunch break. However, the performance of Caryl Churchill’s Seagulls far outshines the unremarkable opener, Tennessee Williams’ Every Twenty Minutes.

An absolutely outstanding multi-sensory promenade performance, and whether you love it or not, it’s unlikely you’ll ever have experienced anything quite like this before.

Joe and Jules are forced to dress as men in order to get work on the stage, only for their plan to slowly unravel before the eyes of their audiences.

Pros: Preternaturally strong aerialists are a joy to watch. Cons: Amateur production values and a lack of clear concept. I was curious and excited about this little venue – sometimes the most unassuming places are the best finds. When I arrived I was warmly greeted by the artistic directors and shown upstairs to the bar. It was a pleasant, light space, with tables and chairs, sofas, and over to one side, what looked to be a very nice piano sleeping ...

The thinking person’s summer panto.