Circus rebels without a cause strut, preen and pounce on each other in this anarchic show. Exhilarating to watch, but the pace is uneven, and they seemed to lose the audience at times.

An approximate profiling of a dysfunctional couple and their crumbling relationship.

The lives of three distinct characters accidentally touch through the means of psychological abuse, radicalisation and self-deprecation.

A script that doesn’t take itself too seriously, catchy musical numbers and a formidable young cast all make for an enjoyable and heartwarming evening at the theatre.

Cabaret duo Bourgeois & Maurice talk celebrating ten years of collaboration with 'Style Over Substance - A 10-Year Retro-Speculative'.

A sophisticated piece of psychological dance theatre performed with real excellence.

Hugely entertaining and superbly performed, this piece thoughtfully and poetically translates universal themes into the visual language of contemporary circus.

Pros: The topic, the text, the direction, the acting, the sound and lighting. Everything in this production is a delight. Cons: There was a bit of noise coming from the adjacent rooms. Laughter and tears chase each other in this intimate drama written and performed by the brilliant Nicola Wren. With a good dose of humour, she gives a potent account of her character’s experience as a female police officer and her struggle to come to terms with her brother’s tragic passing. ...

Two self-aware murder mysteries crammed with puns and clever dialogue. A must for fans of Agatha Christie, P.G. Wodehouse and Dorothy L. Sayers.

Pros: Excellent songs, use of sound clips and lights make this play stand out. Kane Power is a confident performer who balances the light and shade of the piece. Cons: As the volume is turned up to 11, the lights are flashing and Kane’s mother leaves upsetting voicemail messages, sensitive viewers may struggle to watch. Early on in Mental, there’s a disclosure from the man behind it: ‘This show will fail – how can I capture my mum’s experience?’. Kane ...