An enjoyable evening listening to a wide selection of songs from the Simon & Garfunkel back catalogue against a backdrop of scenes from the era.

Seven short plays effectively chart the course of recent gay history.

Simon Evans' cinematographic cut is imprinted in this fast-paced and strongly visual Hamlet.

A fantastic and relatable piece of new writing, perfectly portrayed with intriguing and frustratingly good performances. 

A thoughtful response to generation Gogglebox.

Pros: This is entertaining, creative, eye-catching and full of good moral values. Cons: The merging of two-well known stories adds a great deal of complication. As something of an Iris Theatre super-fan, I couldn’t wait to review their latest offering, a kid-friendly production of Hansel and Gretel and the Witch Baba Yaga, in the charming St. Paul’s Church in Covent Garden. The format matches their previous outstanding productions, as the audience is led through a wonderland of stages and scenes both ...

Pros: It is always important to share stories of suffering when the practice of the penitentiaries is still so recent. Cons: Lacking in story arc. FilthyCOW are an all female troupe driven to create theatre that explores the roles of women historically, culturally, socially and politically. They strive to strip away the male gaze and show womanhood at its truest, bravest, strongest, messiest, most flawed and most beautiful, embracing the diversity of women’s experiences around the world by exploring and ...

Pretty set, actors give it all they’ve got, but limp writing and absence of humour means this is one farce that never truly makes an entrance.

'Horrible Histories - More Best of Barmy Britain' star Laura Dalgleish tells us about bringing this crowd-pleasing trip through history to the West End stage.

Windows is a fascinating, sweet-natured and yet socially-aware play. It flows smoothly between its three scenes, rarely flagging and with enough soft humour that a smile is never far away.