Eye-opening and ear-poppingly shocking. With subtlety and wit in equal measure, we’re told a story that actually matters.
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Voices, Lion and Unicorn Theatre – Review
Prepared to be baffled by this mix of WWI poetry, interspersed with a veteran’s real life story. Suitable for those already familiar with the poems or those up for a neighbourhood play between drinks.
Read More »King Lear – The Rose Playhouse, Review
It’s the right play, with the right cast, in the right venue. A great addition to the performance history of King Lear.
Read More »Death Row Cowboy, The Courtyard Theatre – Review
A solid production debut – with some great strengths, and a few weaknesses. Three Peas have potential.
Read More »Blush of Dogs, Tabard Theatre – Review
Fragen Theatre Company’s brave attempt at a new Greek tragedy is a mixed bag. Although sometimes a bit slow, there are moments of visceral brilliance.
Read More »Miann, Southbank Centre – Review
A haunting, expressive performance, but it probably appeals mostly to specialist audiences.
Read More »Hard Graft, Ovalhouse Theatre – Review
All very likeable, but unfortunately lacking conviction.
Read More »Thrill Me: The Leopold & Loeb Story, Greenwich Theatre – Review
A gripping tale of obsession and devotion gone too far, with an atmosphere and storyline which certainly did ‘thrill me.’
Read More »So It Goes, Shoreditch Town Hall – Review
A production whose apparent simplicity masks highly complex, well thought out ideas that slowly unfold into an honest and open account of what it is like to grieve.
Read More »Apartment 40C, St James Studio – Review
An engaging new kid on the block that has the potential to contend with the heavyweight musicals of the West End.
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