A slightly rocky but enjoyable ride through this mad, blood-splattered Webster classic.

A one-woman vanity project that suffers from its own identity crisis.

Moving in every sense of the word, No Place for a Woman captures two women's survival instincts in and around a concentration camp. Though parts of the plot feel patchy, it's an absorbing watch.   

Pros: Hilarious performances, beautiful singing and outstanding design. Cons: Without an orchestra some of Mozart’s magic is lost. Walking through a charming pub straight into a small pocket of the South American jungle isn’t how most would expect to start a night at the opera. Fortunately for us, Charles Court Opera’s production of The Magic Flute at the King’s Head Theatre refreshingly does away with rows of seats, facing a stage, overlooking an orchestra, and puts us firmly in the thick of it. Simon ...

A brilliantly bizarre performance!

Fresh and thoughtful multi-sensory production, designed for those with profound and multiple learning disabilities and their carers, that is just as magical as theatre should always be.

The toxic side effects of globalisation through the eyes of four employees of a multinational company.

An incredibly important story that deserves commending for being shared. Thought-provoking and heartfelt throughout.

Although provocative and daring in the 1970s, Dennis Potter’s work hasn’t worn particularly well over the years, but the cast save an otherwise mediocre play.

Delightful musical rom-com with an instantly loveable cast.