A happy play about the sad friendship between two die-hard fans of Harry Styles.

An approximate profiling of a dysfunctional couple and their crumbling relationship.

The lives of three distinct characters accidentally touch through the means of psychological abuse, radicalisation and self-deprecation.

A sophisticated piece of psychological dance theatre performed with real excellence.

Hugely entertaining and superbly performed, this piece thoughtfully and poetically translates universal themes into the visual language of contemporary circus.

Pros: The topic, the text, the direction, the acting, the sound and lighting. Everything in this production is a delight. Cons: There was a bit of noise coming from the adjacent rooms. Laughter and tears chase each other in this intimate drama written and performed by the brilliant Nicola Wren. With a good dose of humour, she gives a potent account of her character’s experience as a female police officer and her struggle to come to terms with her brother’s tragic passing. ...

Two self-aware murder mysteries crammed with puns and clever dialogue. A must for fans of Agatha Christie, P.G. Wodehouse and Dorothy L. Sayers.

Pros: Excellent songs, use of sound clips and lights make this play stand out. Kane Power is a confident performer who balances the light and shade of the piece. Cons: As the volume is turned up to 11, the lights are flashing and Kane’s mother leaves upsetting voicemail messages, sensitive viewers may struggle to watch. Early on in Mental, there’s a disclosure from the man behind it: ‘This show will fail – how can I capture my mum’s experience?’. Kane ...

A riotously fun crowd-pleaser which wraps glitter and fluff around an intelligent and utterly convincing message.

An admirable OCD awareness agenda and an enthusiastic team is hampered by a guest acting challenge and a patchy story.