Where do we see ourselves a year from now? RedBellyBlack investigate the matter in a thought-provoking but scrappy verbatim piece.
Read More »Off West End
Space Play, The Vaults – Review
A play on a universal subject with cosmic ambitions that ultimately gets lost in space.
Read More »Only Bones, Soho Theatre – Review
Pros: A meticulously choreographed piece of art. Excellently executed and magically mesmerising. Cons: On paper, perhaps not everybody’s cup of tea. Approach with an open mind. Thom Monckton and Gemma Tweedie created Only Bones in an empty aircraft hangar in Paris. The handout given to each audience member describes a bizarre creative environment; freezing cold and with constant harassment from goats. One of the pleasures of the piece is that it is clearly a creation born from painstaking care, love, and ...
Read More »Death Takes a Holiday, Charing Cross Theatre – Review
A slightly morbid, slightly sappy show that will appeal to musical lovers looking for something different.
Read More »Bitches Ahoy!, Above The Stag Theatre — Review
Comedy in its purest form, but also an important and real piece to be exposed to.
Read More »The Doppel Gang, Tristan Bates Theatre – Review
Four young actors take on the task of masquerading as the Marx brothers in this charming and slightly vulnerable production.
Read More »Holding The Man, Jack Studio Theatre – Review
Holding The Man is a truly heartbreaking and witty coming of age story.
Read More »Winter Solstice, Orange Tree Theatre – Review
This play offers great production value through experimental staging and dramatic dialogue.
Read More »The Collector, Greenwich Theatre – Review
A rare theatrical examination of torture during the war in Iraq that benefits from a documentarian’s eye and historical hindsight, over 13 years later.
Read More »Promises, Promises, Southwark Playhouse – Review
Boasts a crassness that is unmitigated by its entertainment value.
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