Pros: Has little to commend it, aside from a cast who are clearly enjoying the material.      Cons: Suffers from an overdone plot, clunky dialogue, poor characterization and, most regrettably, nothing to say. Brexit was, for better or worse, a defining moment in British history. Depending on your outlook, the vote to leave the European Union could represent triumph or travesty, a chance to redefine British society and identity or a woeful regression to a darker time in European politics. Theatre can, ...

Pros: Tremendous acting, wonderful writing, and a fantastic look into the past of an incredible woman. Cons: There are some slight questions around the character development. If you ever needed a reason to venture into South East London, Gentleman Jack at the Brockley Jack theatre is it. This true story of a remarkable female pioneer is inspiring, absorbing, and deserves a full house at every performance. The story of Anne Lister is set across three different decades in the 1800s, ...

A powerful drama brought to life by an outstanding cast.

Pros: The beguiling Kimberly Nixon mastering some tightly packed dialogue. Cons: The script is occasionally patronising, diminishing what is otherwise a smartly observed piece. I always feel a quiet burst of pride when among the first to see a new play. So I can now say I was there for the Original Death Rabbit at the Jermyn Street Theatre. Rose Heiney (of Fresh Meat fame) adapted her original Radio 4 play for the stage and has produced a dark and ...

Pros: The seamless combination of action, lighting and sound. Cons: Nothing much springs to mind. Don’t go to this show expecting a complete run through of the HG Wells book. Instead, using the 1938 Orson Welles radio broadcast as a starting point, Rhum and Clay have explored people’s propensity to readily accept that all they hear and read is true with, in this case, some unintended consequences for one family.Starting off with a re-creation of the radio play the focus ...

Pros: A couple of strong performances Cons: Wavering American accents, stodgy direction, humourless script In 1882 Henrik Ibsen, reeling from the public outcry over the sexual frankness in Ghosts, wrote An Enemy of the People about one man daring to speak the truth at any cost. In 1950 it was adapted by Arthur Miller, keeping strictly to the same plot and scene structure but removing some of the more unpalatable references to eugenics – and it’s Miller’s version that appears ...

Pros: Peter Duncan captivates as a Panto Dame sparkling with allure and panache. As the limelight dies down, glad rags are shed and greasepaint is wiped off, vivid memories take centre-stage. Cons: A performer treads the boards, then succumbs to dressing room blues. It’s a lyrical but familiar story: underneath a wild grin, the tears of a clown. The Park Theatre, hidden right behind Finsbury Park station in North London, was glittering on a cold January night as cheerful crowds ...

Pros: Funny dialogue, smart observations and powerful performances from two leads with natural chemistry.  Cons: The lack of nuance and erratic pacing sometimes makes the play difficult to engage with, particularly during moments of revelation.   Europe has a long history of antisemitism. Hatred of Jewish people has existed on the continent for centuries, and is not going away anytime soon. Last week, a survey of European Jews found that nearly a third avoid attending events due to safety fears. In Britain, ...

Brilliant. A thoughtful exploration of the political structure that forms our society, supported by extraordinary acting, direction, and a disturbingly animated set.

Pros: The devil is in the detail: a compassionately crafted show. Cons: Issues with the flow of each segment of the show in to the next. A piece of staging advice on the inside of the playtext of Hole reads ‘The word “Big” can mean any number of things. This might mean people who occupy their bodies in space in a way that feels radical or powerful’. If I was really feeling this Wednesday Humpday, I might leave the review ...