Everything that fringe theatre should be: an important tale to tell and told in an explosion of multi-faceted performance.
Read More »Drama
Norma Jeane The Musical, LOST Theatre – Review
Meet Norma Jeane… and the voices in her head. They’ll hook you in, but might leave you wanting more.
Read More »Twist of Lemmon, St James Theatre – Review
A wonderful and emotional one man show which gives an insight into the unique father-son relationship behind one of Hollywood's finest leading men.
Read More »Tape, Drayton Arms Theatre – Review
An intense 75-minute piece that intelligently has you guessing throughout.
Read More »Big Brother Blitzkrieg, King’s Head Theatre – Review
A funny yet terrifying play with a strong ensemble and very dark undertones.
Read More »Mad, Bad and Dangerous to Know, Leicester Square Theatre – Review
Despite a decent turn from the leading man, there’s simply not that much happening in this show and it’s difficult to stay attentive throughout the entire 45 minute runtime.
Read More »Becoming Hattie, Leicester Square Theatre – Review
A wonderful reminder of the Carry On genre, and a genuinely affecting performance from Ashley Christmas in the title role.
Read More »Measure for Measure, The Rose Playhouse – Review
Heady Conduct’s makeover of Measure for Measure lacks character but highlights the commitment of the company to theatrical craftsmanship.
Read More »A Subject of Scandal and Concern, Finborough Theatre – Review
A timely, thought-provoking play based on a true story of the last man in England to stand trial for blasphemy.
Read More »This Is Living, Trafalgar Studios – Review
This Is Living is a funny, emotional and very clever production with a simple but effective set and strong cast.
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