A brilliant promenade performance that celebrates Toynbee Hall and Studios; its stories, past and present, at every twist and turn.
Read More »Alternative
Psychostasia, Old Cholmeley Boys’ Club – Review
The performance unfortunately relies heavily on two aspects that could do with improvement. The visuals are stunning but can’t quite make up for the rest. Interesting collaboration with lots of potential though.
Read More »The Players Lab, St. Clements Hospital – Review
A Shutter Island experience of immersive theatre, with an old mental hospital as the setting! Make sure to always stay in the front of the group (and top of the stairs) to catch every scene.
Read More »Our Glass House, Camden People’s Theatre – Review
This show will astound you. Whether it’s the immersive set, divine rhythmic ebbs and flow, the very truthful basis of the show or the raw shock of unfolding events.
Read More »Woyzeck, Omnibus Clapham – Review
Fantastic set but the text is such a strange play in itself that this production felt similarly strange. A weird collection of philosophies, passions and actions that make for an indefinable whole.
Read More »The Lady’s not for walking like an Egyptian, Ovalhouse – Review
Despite lacking a short catchy title, this piece was a strong anarchic performance which made the audience nostalgic for the 80s yet fearful of its politics returning.
Read More »Tomorrow’s Parties, Battersea Arts Centre – Review
The devised nature means it’s a totally different performance each night – but as a result it manifested itself merely as an interesting acting exercise rather than anything particularly entertaining.
Read More »Brand New Ancients, Royal Court – Review
Kate Tempest is an intelligent and mesmerizing storyteller. Her unique brand of theatre is well worth seeing.
Read More »