Drama
A staple for us and for many if you fancy a more traditional play. When we first started Everything Theatre it was specifically to review drama. We’ve branched out over the years, but it will always be a favourite of ours.
-
The Fatal Eggs, Barons Court Theatre – Review
I really wanted to enjoy So It Goes Theatre’s The Fatal Eggs. I really really did. Having thoroughly enjoyed their reworking of Dante’s Divine Comedy at the same venue previously, I was hopeful that returning again would give witness to…
-
Little Potatoes, Old Red Lion Theatre – Review
A rapid return to the Old Red Lion in Islington is always a welcome diversion. A delicious moo pie and pint set me up nicely for Little Potatoes, a tale of matchmaking mums at the Shanghai marraige market, as they…
-
After the Dance, Bridewell Theatre – Review
Taking place at company Sedos’ own residence at Bridewell Theatre on the edge of the City, the not-so-amateur collective brings their rendering of Terence Rattigan’s inter-war drama, After the Dance, to life. The play was written on the eve of…
-
The Last Will and Testament of Henry Van Dyke, Tabard Theatre – Review
There is a fine line between being clever and being a little too clever for your own good. The Last Will and Testament of Henry Van Dyke is a play that tiptoes precariously along that line, spending time on either…
-
The Pitchfork Disney, Ovalhouse – Review
The Pitchfork Disney, Philip Ridley’s debut 1991 play, aims to do two things. Firstly, to disturb the audience (it was credited with introducing “in-yer-face” theatre following its 1991 debut) and secondly, to leave you questioning what it was all about. …
-
The Noises, Old Red Lion Theatre – Review
In the pet stakes no animal comes remotely close to dogs; man’s best friend has become a fully-fledged member of the family. No longer bred for a purely functional purpose, dogs have assimilated human characteristics and a unique personality. This…
-
Tony’s Last Tape, Omnibus Theatre – Review
A warm and poignant tribute to a great man
-
Cry Havoc, Park Theatre – Review
“What is your relationship to this man?” It’s a question that recurs through Tom Coash’s play, and it’s one that neatly keeps the focus on the two central characters. These are Nicholas (Marc Antolin), a British academic working in Egypt,…
-
Killymuck / Box Clever Double bill, The Bunker – Review
Social inequality is the theme that binds Killymuck and Box Clever together, a double bill of one woman shows at The Bunker. But there is so much else that links these shows. Both have powerful performances from their sole actor,…
-
Wolfie, Theatre503 – Review
Wolfie is a play that is surely destined for a longer life than its few weeks at Theatre503