A challenging production highlighting an issue that some people may be unaware of. Uncomfortable to watch in parts but worthwhile.
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London’s West End: Vibrant or Violent?
Crime novelist M. G. Scarsbrook digs through the glitz and glamour to explore the dark side of London's most popular tourist destinations.
Read More »Fiji Land, Southwark Playhouse – Review
Despite its powerful visuals and intriguing premise, this allegory of a pot plant nursery as a concentration camp fails to engage or provoke.
Read More »New Beginnings, The Horse & Stables Theatre – Review
A good showcase for new talent but could do with more cohesion.
Read More »Flight, Brockley Jack Studio Theatre – Review
A melancholic and vivid representation of complex characters and situations. Visually and emotionally stunning, the performances were fantastic (Michael Edwards as Army official Khludov was my favourite).
Read More »Othello, Riverside Studios – Review
Lush, lascivious and lamentable. Othello is a tale of passion and pessimism which Orangutan productions relishes to its full extent. A strong cast and intelligent direction revives this Shakespeare in a vivid way.
Read More »The Pardoner’s Tale, Unicorn Theatre – Review
A delightful interpretation of Chaucer for all ages.
Read More »RETOLD: A Fairytale Festival… without the ‘happily ever after’, The Space – Review
While the concept of the show is promising and some interesting topics are explored, the production failed to engage me.
Read More »Dick Backard: Private Eye, The Bedford – Review
A nostalgic treat on the doorstep of SW12.
Read More »Oedipus Retold, Tristan Bates Theatre – Review
Despite the disparity between the two pieces, overall a thought-provoking production with enough intelligent humour to make a heavy subject digestible.
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