Pros: Fun choreography, daft puppetry, huge energy. Cons: Heavy on smut, light on good songs. When Much the Miller’s son gets lost in Sherwood Forest, salvation comes at a price: the ragtag bunch of men who come to his rescue have a tiresome habit of breaking into song and dance. Because this is Nottingham, where life is a musical and everyone knows their lines, their steps and their place. Anyway, a few escapades later, and having won the hand of ...
Read More »Monthly Archives: April 2018
Cream Tea and Incest, The Hope Theatre – Review
A masterpiece of inventiveness where a visionary comic style is complemented by an out of the box design.
Read More »Win tickets for Shit-faced Shakespeare’s The Merchant Of Venice
Do you like Shakespeare? Do you like booze? Do you like panto? Answer yes to all three, then why not join us in raising a glass in celebration that Shit-faced Shakespeare are heading back to Leicester Square Theatre very soon. Because anyone who knows Shitfaced-Shakespeare know full well what to expect; Shakespeare with added booze and just a little panto! And make that two very large glasses, because why do one show when you can do two; The Merchant of ...
Read More »Gauhar Jaan – The Datia Incident, Omnibus Theatre – Review
Shining a light on India’s pre-Bollywood queen of entertainment, Gauhar Jaan is an original, funny and exciting debut play, albeit with a rushed ending and some scene change issues. It has rightly sold out its entire run already.
Read More »Sophie, Ben and Other Problems, Tabard Theatre – Review
The After School Club showcase serious potential that should be nurtured and encouraged in this funny and big hearted play about love.
Read More »Mark Thomas: Showtime from the Frontline at Theatre Royal Stratford East – Review
Extremely entertaining, hilarious and interesting show about the struggles of setting a comedy workshop in the heart of the Jenin refugee camp in Palestine.
Read More »Coconut, Ovalhouse Theatre – Review
Pros: Kuran Dohil’s professional stage debut is brilliant and side-splittingly funny. She captivates the audience with her powerful stage presence. Cons: Does well to avoid sweeping generalisations, but includes some religious stereotypes, especially in the portrayal of convert Simon. Guleraana Mir’s play Coconut tells the story of twenty-something Rumi, a Muslim ‘coconut’, brown on the outside, white on the inside. Rumi is a pork-scratchings-and-vodka kind of girl, instead of the modest girl her family and community want her to be. Just when she thinks she’ll never find ...
Read More »Scene, Camden People’s Theatre – Review
Pros: Sharp dialogue intelligently addresses difficult issues with a wonderfully warm and light-hearted tone. Cons: An occasional few nervous jitters came through, but these merely added to the sincerity of the piece. Ayo, a captivating, earnest black girl, and Flo, a passionate and bookish white girl, have been a couple since they were students and shared a shy first kiss at a club. A few years later they are living in their overpriced flat in present-day Peckham, where they argue about ...
Read More »Reared, Theatre503 – Review
A realistic representation of not often exposed social and familial concerns, this relevant modern drama is a must see.
Read More »Victim, King’s Head Theatre – Review
An intriguing companion piece to an earlier play makes its point with clarity, providing a sobering conclusion to the most disturbing of storylines.
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