Pros: Good intentions, and some strong performances. Cons: Misses its opportunity to harness an interesting subject. The courage of And Many Others’ Becoming Mohammed at the Pleasance Theatre is apparent from its title. Discussion of integration among Muslim communities, the place of Islam in the West and the experiences of Muslims today, is at once omnipresent and absent – a subject frequently mentioned, but seldom brought to life on stage. Becoming Mohammed not only takes an unblinking look at these complexities, but also does ...
Read More »Monthly Archives: May 2017
Interview: Katie Kerr and David Bardsley on ‘Pete n Keely’
'Pete 'n' Keely' stars Katie Kerr and David Bardsley chat about the 'marathon' of bringing this two-person musical to the UK stage.
Read More »The Ferryman, Royal Court Theatre – Review
Pros: First-rate writing and direction, a stellar cast, thoughtful staging and a heartbreaking story. Cons: It is quite long (three hours). It’s Armagh, 1981, and the Carney family, abundant with elders, children, and a goose, are preparing for the annual harvest in a time rife with uncertainty. Seamus Carney’s body is found in a bog, with a bullet in his head, which leads his family down a slippery slope, whether they are aware of it or not, to a potential ...
Read More »All Our Children, Jermyn Street Theatre – Review
Pros: An engaging and meticulously researched script, combined with superb performances, make for a genuinely harrowing story. Cons: Needless sound effects and some unwieldy dialogue diminish the overall power of the piece. To my shame, this was my first visit to the Jermyn Street Theatre. On the strength of this visit, it won’t be my last; the theatre is welcoming, comfortable and damned accessible by public transport. Interestingly, to get to the theatre’s toilets you actually have to go across the stage and through ...
Read More »This Beautiful Future, The Yard Theatre – Review
Pros: An interesting view on love and war Cons: Some questionable karaoke that might not be to everyone’s taste It is 1944 in occupied France. Two teenagers exchange laughter and kisses and find love in spite of war. The story follows Elodie (Hannah Millward) and Otto (Bradley Hall) an unlikely but electric pairing; Elodie is a whimsical and playful French girl, while Otto is a German solider regimented, and brainwashed by Hilter’s rhetoric. The two find comfort and joy in each other’s company while ...
Read More »Interview: Choreographer Randy Skinner on ’42nd Street’
'42nd Street' choreographer Randy Skinner on bringing the screen to the stage in his Hollywood-inspired work.
Read More »The Toll, Bethnal Green Working Men’s Club – Review
A wonderful evening with profound thoughts, sharp humour and extremely intelligent work; a show not to miss!
Read More »Material Men Redux, The Place – Review
Diverse styles of dance unite with a powerful message.
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