A one-woman, one act, immersive theatre adaptation of Shakespeare’s Richard III really shouldn’t work, but somehow it does. Cleverly adapted and well-executed, this show is intense and more than a little uncomfortable at times.
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Richard III, New Diorama – Review
The show showcases some impressive visuals and talented individuals, but the overall result feels a bit undercooked.
Read More »Rise + Fall, St Saviour’s Church – review
A really enjoyable night, not just because of the play itself, but also thanks to the all-round effort both before and after the show in terms of hospitality.
Read More »Henry V, Temple Church – Review
A wonderfully imaginative and evocative staging of one of Shakespeare’s great histories, in a sublime location which quite literally sings.
Read More »Twelfth Night or What You Will, The Space – Review
A slow and confusing first half. The concept, though visually appealing, fails to enhance the audience's experience of this well-known play.
Read More »King Henry V, Union Theatre – Review
An uncompromising interpretation of Henry V. Well performed, but a little dry.
Read More »The Tempest, The Hope Theatre – Review
Bursting with energy and a laugh a minute, this is modern Shakespeare at its best.
Read More »Twelfth Night, Iris Theatre – Review
A really approachable version of one of Shakespeare’s most loved comedies that’s suitable for all the family. A talented cast bring the play to life with song, dance and spirited delivery of the Bard’s words.
Read More »Macbeth, The Rose Playhouse — Review
While the ruins of the Rose seem an ideal place to stage this Shakespearean tragedy, the space as well as the execution of the script made this production difficult to engage with.
Read More »Richard II, St. Bartholomew the Great – Review
One of Shakespeare’s less accessible history plays can be heavy going, but the cast get it across the line with ease.
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