What could be more cheering in 2020 than to be back in a theatre at Christmas?

Falling Stars is a well-made piece of theatre against all odds

A good cast deliver the catchy score in this revival of Lionel Bart’s nostalgic musical

The Union's latest classic revival makes for a disappointing night out.

some of Broadway’s best songs will delight musical theatre lovers.

A celebration of life, and a reminder that the fight is far from over.

Shakespeare’s tale of deceit and malice is not an easy one to stage. Even with an interesting re-contextualisation set in the British Raj in 1919, the production at the Union Theatre fails to fully own this mammoth play.  The ‘green-eyed monster’ and the quintessential Machiavellian baddie Iago provide enough juice, drama, and betrayal to make a real meal out of. But to enjoy a meal one needs cutlery (bear with me on this metaphor), and that would be the actors. ...

In late 19th century Paris, a bawdy new dance was born. The can-can grew from the seductive dances of Moulin Rouge courtesans into a high-energy show involving high kicks, splits, and exposed undergarments. Back then, you would have to go to French cabaret for the can-can. Now you can see it in railway arch in South London. Can-Can! promises fun and frivolity, and boy does it deliver. The show is a stunning, sugary confection of acrobatic feats and lavish design. ...

Pros: A couple of strong performances Cons: Wavering American accents, stodgy direction, humourless script In 1882 Henrik Ibsen, reeling from the public outcry over the sexual frankness in Ghosts, wrote An Enemy of the People about one man daring to speak the truth at any cost. In 1950 it was adapted by Arthur Miller, keeping strictly to the same plot and scene structure but removing some of the more unpalatable references to eugenics – and it’s Miller’s version that appears ...

Pros: A 15 minute interval that lets you mentally prepare for the fact that there’s a second half. Cons: Shockingly bad and self-absorbed dialogues, lack of dramatism, cheap reactionary propaganda. When you hear that there’s a new play written by Julie Burchill, you obviously run to see it. She’s one of the wittiest and funniest living British journalists, even if you happen to disagree with pretty much everything she says or writes about when it comes to politics. Refreshingly unapologetic ...