Dazzling effects coupled with a fine cast make this stylish production stand out even more.

Pros: British clichés and drama tropes are nailed, aided by a vast number of fun props and different music styles, from rap to community brass band tunes. The cast is a deliberate cross-section of modern Britain, with some stand-out performances. Cons: At times it feels like the weirdness factor is cranked up just for a reaction, with little relevance to the plot. A seemingly relentless war section labours its writer’s and director’s point. It must be a nightmare to clear ...

An upfront, bleakly funny piece about exploitation and control.

Brian picks runs down his pick of the year and awards the inaugural Reggies.

Eva de Valk runs down the big theatre news of 2017.

Goats starts with a strong premise and some powerful scenes, but a confusing narrative, a muddled set and patchy performances fail to do it justice.

A faultless ensemble brings the recent events surrounding the student movement in Cape Town vividly to life. Minimal set, maximal talents and sharp dialogue make for a captivating experience.

Uncomfortable, intellectually provocative theatre that, whether you enjoy it or not, has thoroughly generous and positive intentions.

An ambitious and far-reaching exploration of family, fertility and international surrogacy.

Olivier award-winning director Dominic Cooke discusses his first foray into television with the BBC's 'Hollow Crown: The Wars of the Roses.'