An upfront, bleakly funny piece about exploitation and control.

Brian picks runs down his pick of the year and awards the inaugural Reggies.

Eva de Valk runs down the big theatre news of 2017.

Goats starts with a strong premise and some powerful scenes, but a confusing narrative, a muddled set and patchy performances fail to do it justice.

A faultless ensemble brings the recent events surrounding the student movement in Cape Town vividly to life. Minimal set, maximal talents and sharp dialogue make for a captivating experience.

Uncomfortable, intellectually provocative theatre that, whether you enjoy it or not, has thoroughly generous and positive intentions.

An ambitious and far-reaching exploration of family, fertility and international surrogacy.

Olivier award-winning director Dominic Cooke discusses his first foray into television with the BBC's 'Hollow Crown: The Wars of the Roses.'

A superbly atmospheric production which is ambitious, bleak, a bit incoherent, but frequently thrilling.

Hangmen has had praise heaped upon from all sides and deservedly so. It’s one of the landmark shows of 2015: powerful, hilarious, and one-hundred per cent memorable.