An intensely physical and high octane journey through bigorexia and body dismorphia that could do with an emotional punch.

As J.M. Barrie's iconic tale flies back to the London stage in 'The Lost Boy Peter Pan', adapter/director Alexandra Spencer-Jones shares why music is so vitally important in her work.

The fairly simple concept of using sounds to compliment a monologue is inventively utilised. With some development and support, it could be a really exceptional piece; A show well-worth seeing.

'Jekyll & Hyde' director and co-writer Danny Wainwright talks putting a comedic spin on the classic tale.

Pros: Good intentions, and some strong performances. Cons: Misses its opportunity to harness an interesting subject. The courage of And Many Others’ Becoming Mohammed at the Pleasance Theatre is apparent from its title. Discussion of integration among Muslim communities, the place of Islam in the West and the experiences of Muslims today, is at once omnipresent and absent – a subject frequently mentioned, but seldom brought to life on stage. Becoming Mohammed not only takes an unblinking look at these complexities, but also does ...

Pros: The performers have energy and commitment. Cons: Incoherent plot and characterisation. Little variation. Having overcome the travails of TFL, and with drink in hand, I made my way from the spacious bar at The Pleasance, past the main theatre and into the studio theatre known as StageSpace. I’ve been to The Pleasance before and enjoyed it, but this was my first opportunity to sample the more intimate qualities of the second space. Unfortunately the sound insulation is not the best, ...

A depressingly spot-on portrayal of the workings of the British establishment.

Pros: A powerful, charged work featuring a strong central character Cons: The second performer appears awkward, never having seen the script before; neither actor produces emotional engagement A man and a woman stand in front of microphones on a largely bare stage, their actions filmed from two angles and projected onto a screen behind them. She’s confident and authoritative, as well she might be, for she both devised and wrote this play. He’s nervous, unsure of himself; he’s never seen ...

An amusing musical which does not quite reaching its full potential.

Interesting, amusing, heart-breaking and well-written – this is a good selection of snapshots of contemporary LBGT characters.