A vibrant updating of Dickens’ story of a life turned around.
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No Place like Hope, Old Red Lion Theatre – Review
Portraying a terminal illness while maintaining some degree of entertainment is always a tough call, but they just about pull it off.
Read More »Father of Lies, Old Red Lion Theatre – Review
The telling of a chilling murder case through story-telling and story-showing makes for an hour of questioning what is truth, and what might be beyond our imagination
Read More »The Men who made Frankenstein, Old Red Lion Theatre – Review
A play that takes an alternative look at Mary Shelley’s Frankenstein. Set in a prison the story follows four people brought back from the dead and held captive by Dr. Frankenstein, awaiting their as yet unknown fate together.
Read More »The Raven, Old Red Lion Theatre – Review
Poe’s classic gothic tale is let down by a sketchy adaptation that strips away all semblance of drama.
Read More »Talk Radio, Old Red Lion Theatre – Review
An energetic and well performed revival of Eric Bogosian's iconic hit which hits all the right contemporary notes.
Read More »Mrs Orwell, Old Red Lion Theatre – Review
A deservedly dramatised final episode of George Orwell’s life, and the lives of those around him, with heightened tension and a dash of humour.
Read More »Going for the Gut in ‘Mumburger’
'Mumburger' playwright Sarah Kosar shares how her 'stomach-churning' new play goes straight for the gut.
Read More »Benighted, Old Red Lion Theatre – Review
Perfect for those who want to be transported back in time. You will be kept on the edge of your seat.
Read More »‘Benighted’ Playwright Duncan Gates on the Process of Adaptation
Benighted playwright Duncan Gates discusses the process of adapting J.B. Priestley's 1927 novel for the stage — and the lessons he's learned along the way.
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