A gorgeous, glittery, dazzling delight of a musical

A captivating production that reminds us of the true power theatre can achieve.

Pros: Lots of new talent showcasing their abilities. Cons: Doesn’t quite rise above student production standards. “Do you really love it?” asked a friend when I said I was going to see a student production of Cabaret, the famous Kander and Ebb musical that has been frequently revived since it first appeared on Broadway in 1966. The answer was that I’d seen the 1972 Bob Fosse movie a few times and liked several of the songs, plus I was drawn to ...

Pros: The cast, the live music and the great use of integrated sign language. Cons: Pete Townshend – bloody good songwriter, questionable grasp on narrative structure. Ramps on the Moon is a long-term collaboration between a number of theatres and theatre companies, whose collective aim is to create shows that are accessible by and inclusive of people who are d/Deaf, disabled and visually impaired. In their latest outing, The Who’s 1969 rock opera Tommy is given a vigorous makeover that ...

A solid, budget production of this musical critique on modern society and the vacuousness in which we all operate.