by Louise BrealeyDirected by Paul Hart★★★★ Pros: Everything about this piece is good – the writing, the acting, the setting, the lighting – it all works. Sophia Crawford’s performance is a highlight. Cons: Although atmospheric, church acoustics make voices echo so some dialogue is hard to catch. Our Verdict: This is wonderful theatre. It builds slowly, but provides a thoughtful look into an often-debated subject in history that still has relevance and shock value in today’s society. Courtesy of National Youth Theatre Given ...

Caroline Bird, After EuripidesDirected by Christopher Haydon★★★★★ Pros: An excellent and original reworking of the Greek text with stellar performances and an exceptional design. Cons: Sight-lines are a little tricky, but blockages can be avoided by arriving early to claim front seats. Our Verdict: An all-around wonderful production featuring a spectacular script, cast, design, and message. Courtesy of the Gate Theatre Several years ago I worked in the sound-booth for my university’s production of The Trojan Women, so while I ...

Joe PenhallDirected by Roger Michell★★★ Pros: Trustworthy actors perform a compact piece with big laughs at the expense of gender stereotypes. Cons: Slightly unclear what Penhall’s point (if there is one) is! Our Verdict: A play which hopes to question the roles in childbirth, it’ll make the audience think but not too hard. An overall positive experience! Courtesy of Alastair Muir for the Daily Telegraph The Royal Court is a brilliant theatre. Situated on Sloane Square, it is well known ...