As the company tours their double bill of Mozart works across the UK, Pop-Up Opera founder Clementine Lovell shares the company's approach to making opera accessible.
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How New Technology Can Support Emerging Talent
As the Vault Festival enters its final weeks, Stagedoor's Head of Partnerships Jasper Bartlett considers how technology can help to support the festival's emerging artists.
Read More »Dai Fujikura Takes a Trip Down Memory Lane and Into Wigmore Hall
Composer Dai Fujikura looks back at his past works and their global influence ahead of an upcoming concert of his work at Wigmore Hall.
Read More »Ian Bonar on the ‘Elusive’ Memory that Sparked ‘Be Prepared’
Writer/performer Ian Bonar shares the real-life inspiration behind 'Be Prepared' at the VAULT Festival and the 'treacle' comedy at the show's core.
Read More »How ‘Becoming Shades’ is Bringing Immersive, All-Female Circus to The Vaults
Laurane Marchive of Chivaree Circus shares how the company brought its immersive, all-female production of 'Becoming Shades' to the Vault Festival.
Read More »‘The Crystal Egg Live’ and Theatre’s Relevance in a Screen-Dominated World
In this guest blog, producer Rebekah Harvey of 'The Crystal Egg Live' talks about how to make theatre and literature relevant in a world dominated by film and television.
Read More »Alexandra Spencer-Jones on Music and ‘The Lost Boy Peter Pan’
As J.M. Barrie's iconic tale flies back to the London stage in 'The Lost Boy Peter Pan', adapter/director Alexandra Spencer-Jones shares why music is so vitally important in her work.
Read More »CASA Festival and the Importance of Collaborative Partnerships
CASA Festival artistic director Daniel Goldman describes how the festival's international mission relies on joining forces with London's top theatres.
Read More »Adrian Berry on the Postcard Festival at Jackson’s Lane
Jackson's Lane Artistic Director Adrian Berry gives insights into bringing this year's Postcards Festival to life.
Read More »Going for the Gut in ‘Mumburger’
'Mumburger' playwright Sarah Kosar shares how her 'stomach-churning' new play goes straight for the gut.
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