Ahead of 'Super Duper Close Up''s run at the Yard Theatre, writer and performer Jess Latowicki shares her process of creating this 'complex show resulting from the last couple of years spent living in a complicated world'.

Adapter and director Peter Glanville shares how he and his team brought the whimsical puppet production 'How to Hide a Lion' to life.

Spun Glass Theatre Artistic Director Jessica Cheetham shares how 'Princess Charming' combines cabaret and children's theatre to get families talking about gender identity and stereotyping.

'Square Rounds' director Jimmy Walters discusses taking Tony Harrison’s daunting piece on at the Finborough Theatre and how this nearly 30-year-old play is still just as relevant today.

As 'There but for the grace of God (go I)' debuts at Soho Theatre, solo performer Adam Welsh shares more about the family dynamics behind the piece – and why we bother going to the theatre at all.

Jasper Bartlett from the Stagedoor app shares how London's festivals are pushing the boundaries with their genre-defying works.

Ahead of its Ovalhouse debut, director Suzanne Gorman shares how 'The Croydon Avengers' is telling a different kind of superhero tale.

As the new contemporary circus work 'The Exploded Circus' tours the UK, Mimbre Artistic Director Lina Johansson tells us about the process of bringing this female-led production to life.

As the company tours their double bill of Mozart works across the UK, Pop-Up Opera founder Clementine Lovell shares the company's approach to making opera accessible.

As the Vault Festival enters its final weeks, Stagedoor's Head of Partnerships Jasper Bartlett considers how technology can help to support the festival's emerging artists.