A rather unsophisticated panto.

brilliant, bonkers

There are three ways in which theatre companies can respond to the current crisis. They can furlough as many staff as they’re allowed and squint down the tunnel hoping desperately for a glint of light at the end. They can reopen with a socially distanced audience, paring back productions to match the reduced income. Or they can produce something genuinely innovative: this is the approach taken by One Night Records, whose immersive promenade performance sees the audience admitted in groups ...

Worth checking out for charming performances in a great venue and lovely pub.

“What is your relationship to this man?” It’s a question that recurs through Tom Coash’s play, and it’s one that neatly keeps the focus on the two central characters. These are Nicholas (Marc Antolin), a British academic working in Egypt, and his native lover Mohammed (James El-Sharawy). His name having been “on a list” since some political cartoons in his student days drew him to the attention of the authorities, the play begins with Mohammed, newly released from police custody, ...

A strong acting and vocal duo do their very best to lift up this camp and kitsch musical, to no avail.