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Tag Archives: Edinburgh

Slapstick, Assembly George Square Theatre – Review

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Pros: Charming, hilarious clowns, who also happen to be virtuoso musicians. Cons: The section with the projection didn’t work well, and made the energy drop. The children in the audience are part of what makes a clown show, and this performance featured the rambunctious laughter of a little boy somewhere at the back, whose timing was perfect and brought the house down twice. The five clowns of Netherlands-based Wëreldbänd reacted with ready charm; in fact, the audience was part of ...

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Mental, Assembly Roxy – Review

Credit: Lucas Smith

Pros: Excellent songs, use of sound clips and lights make this play stand out. Kane Power is a confident performer who balances the light and shade of the piece. Cons: As the volume is turned up to 11, the lights are flashing and Kane’s mother leaves upsetting voicemail messages, sensitive viewers may struggle to watch. Early on in Mental, there’s a disclosure from the man behind it: ‘This show will fail – how can I capture my mum’s experience?’. Kane ...

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Our Man in Havana, Pleasance Courtyard – Review

Production shot for Our Man in Havana by Spies Like Us Theatre Company

Pros: A perfectly executed adaptation of Graham Greene’s novel, with endlessly inventive choreography and the best use of a vacuum cleaner you’ll ever see on stage. Cons: None – it’s a solid all-rounder. Have you ever seen a vacuum cleaner become a coat stand, a bar, a phone and a dog? All these are possible, and many more transformations too, in Our Man in Havana, by Spies Like Us. Here, the household prop, which is sold by a vacuum salesman ...

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Dates – at the Speed of Sound, Summerhall – Review

Credit: Mihaela Bodlovic

Pros: Quirky characterisation of four daters, and fair scrutiny of the modern dating scene. Cons: Audience numbers and logistics affect the speed dating process, which feels slightly disjointed from the plays. The Finnish connection isn’t obvious, either. This show belongs to the Start to Finnish events programme, celebrating Finland’s culture in honour of 100 years of Finnish independence. However, it’s hard to see traces of Finland in the script of these two interconnected plays, except in references to one character’s love ...

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