Jermyn Street Theatre’s specially commissioned new play is a fiery concoction of mental distress, marital problems and volatile chemistry that, whilst set in 1896, translates well to a modern audience. A real gem of a show.

A well-constructed duo, but ultimately let down by lacklustre content.

A weird and wonderful trip into the subconscious for the more adventurous theatregoer; anyone who likes their plays with a top and a tail should steer clear of this one.

Dreamplay director Sarah Bedi discusses the thought processes adapting Strindberg's classic work — and the process of dreaming itself — for the stage.

An excellent tale energetically performed by a great cast, but this re-written version of Strindberg’s 1888 play doesn’t always ring true to present day.