A good adaptation of the book, but the limitations of the stage do not allow room for the emotive intricacies of the story to develop.
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The Twentieth Century Way, Jermyn Street Theatre — Review
Skilfully evokes the plight of homosexual men in 1900s America.
Read More »Glockenspiel, Tristan Bates Theatre – Review
A play that never quite fulfils its promise, but does have enough depth and humour to make it an interesting two hours.
Read More »A Christmas Carol, Above the Arts Theatre – Review
A memorable version of the Dickens classic momentarily side-tracked by the food!
Read More »Love’s Labour’s Lost, Theatre Royal Haymarket – Review
Properly hilarious production with some big laughs in one of the West End's most sumptuous theatres.
Read More »Much Ado About Nothing, Theatre Royal Haymarket — Review
A festive take on a Shakespeare favourite that embraces the play’s darker undertones as well as the fizzy fun.
Read More »The Woman in Black, Fortune Theatre – Review
Pros: A perfect venue dripping with atmosphere and an eerie sense of expectation. Cons: Hysterically shrieking members of the audience breaking the tension. Plays in the West End are often short lived as they can rarely depend on customers returning to the same show. The ultimate exception is of course Agatha Christie’s Mousetrap, which has been running continuously in London since 1952. A distant but creditable second is The Woman in Black, a mere stripling of only 25 years standing. ...
Read More »Pride and Prejudice, Jermyn Street Theatre – Review
A unique take on a classic story that welcomes you with open arms with its expert humour.
Read More »Disaster!: A 70s Disaster Movie Musical, Charing Cross Theatre – Review
A brilliantly entertaining send up of disaster movies.
Read More »An Inspector Calls, Playhouse Theatre – Review
A well realised production with excellent staging and strong performances which feels more timely now than ever.
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