Two autobiographical studies, featuring very different approaches to narrative structure.
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City Stories, St James Theatre – Review
Good music doesn’t make up for storytelling which is tedious and portentous.
Read More »The Clockmaker’s Daughter, Landor Theatre – Review
A genuinely original new musical with an eye-catching set design and a superstar lead.
Read More »The Flannelettes, King’s Head Theatre – Review
Although some potentially “hard-hitting” moments don’t quite hit the spot, when they do it is devastating.
Read More »Like Mother, Like Daughter, Battersea Arts Centre – Review
Innovative reality theatre that blurs the boundary between public and personal to look at the relationship between mothers and daughters of faith.
Read More »The Theory of Relativity, Drayton Arms Theatre – Review
A brilliant show, you’ll leave the theatre with a big grin on your face.
Read More »The Dogs of War, Old Red Lion Theatre – Review
An absorbing study of a family in decline and the strain that mental health puts on their relationships, but not enough of a meaty story at its core.
Read More »Bedtime Stories, Stratford Circus Arts Centre – Review
An inventive, thoughtful story told with great visual expression.
Read More »Son of Man, Bread and Roses Theatre – Review
A detailed dissection of the biblical setting, but over-long and too polemical.
Read More »The Tragedy of King Edward II, St Bartholomew the Great – Review
A sometimes surprising but solid production with a lot of strong performances.
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