A wonderful reminder of the Carry On genre, and a genuinely affecting performance from Ashley Christmas in the title role.
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Measure for Measure, The Rose Playhouse – Review
Heady Conduct’s makeover of Measure for Measure lacks character but highlights the commitment of the company to theatrical craftsmanship.
Read More »A Subject of Scandal and Concern, Finborough Theatre – Review
A timely, thought-provoking play based on a true story of the last man in England to stand trial for blasphemy.
Read More »Our Ladies of Perpetual Succour, Theatre Royal Brighton (Brighton Festival) — Review
An outstanding production full of soul, fun and debauchery, led by a strong ensemble cast.
Read More »An Old Fashioned Girl, The Warren: Theatre Box (Brighton Festival), Review
A musically entertaining cabaret performance that left me wanting the dramatisation to be further developed.
Read More »The Idiot Brain, Dome Studio (Brighton Festival) – Review
Pros: Interesting discussion, led by smart, funny presenters Cons: More of a book promotion than a performance The Idiot Brain is billed as a light-hearted look at the psychology of superstition, the neuroscience of sleep, how tall people are more intelligent, and why a glass of wine might improve our memory. I anticipated a performed approach to the subject not unlike that in Ruby Wax’s ongoing tour Sane New World. A serious subject, approached in an engaging and intelligent way, but ...
Read More »This Is Living, Trafalgar Studios – Review
This Is Living is a funny, emotional and very clever production with a simple but effective set and strong cast.
Read More »Shakespeare Untold, Dome Studio (Brighton Festival) – Review
Pros: An imaginative new perspective on well-known stories Cons: Risks being patronising at times In a combined production from Shakespeare’s Globe and Seabright Productions, Shakespeare Untold introduces us to the worlds of Romeo & Juliet and somewhat obscurely Titus Andronicus, through the fictitious peripheral characters of the Capulet’s party planner, and the Emperor of Rome’s head chef. At two hours long, complete with interval, Shakespeare Untold is a fringe festival exception but the audience are never restless, not even for a ...
Read More »I’m Just Here To Buy Soy Sauce, New Wimbledon Theatre – Review
This is a well-written and tragicomic representation of London’s property market and its exploitation by foreign investors.
Read More »The Great American Trailer Park Musical, Waterloo East Theatre – Review
Pros: Strong ensemble, original score, great direction Cons: The band was far too loud in parts, and drowned out the cast Anything that has the words ‘trailer’ and ‘park’ in it will always get my vote as I love a bit of trash. I’m also fond of musicals, so when I heard that The Great American Trailer Park Musical was having its London premiere I grabbed my wife-beater vest, a can of Bud, and ran to get a ticket. Currently on ...
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