Seven short plays effectively chart the course of recent gay history.

Simon Evans' cinematographic cut is imprinted in this fast-paced and strongly visual Hamlet.

A fantastic and relatable piece of new writing, perfectly portrayed with intriguing and frustratingly good performances. 

A thoughtful response to generation Gogglebox.

Pros: This is entertaining, creative, eye-catching and full of good moral values. Cons: The merging of two-well known stories adds a great deal of complication. As something of an Iris Theatre super-fan, I couldn’t wait to review their latest offering, a kid-friendly production of Hansel and Gretel and the Witch Baba Yaga, in the charming St. Paul’s Church in Covent Garden. The format matches their previous outstanding productions, as the audience is led through a wonderland of stages and scenes both ...

Pros: It is always important to share stories of suffering when the practice of the penitentiaries is still so recent. Cons: Lacking in story arc. FilthyCOW are an all female troupe driven to create theatre that explores the roles of women historically, culturally, socially and politically. They strive to strip away the male gaze and show womanhood at its truest, bravest, strongest, messiest, most flawed and most beautiful, embracing the diversity of women’s experiences around the world by exploring and ...

Pretty set, actors give it all they’ve got, but limp writing and absence of humour means this is one farce that never truly makes an entrance.

Windows is a fascinating, sweet-natured and yet socially-aware play. It flows smoothly between its three scenes, rarely flagging and with enough soft humour that a smile is never far away.

Pros: The production values are excellent in every respect. Cons: Not suitable for audiences in search of easy entertainment. There is something intimate and profound about Gunshot Medley that stays with you long after you’ve left Venue 13 in Edinburgh. This must have to do with the sweet whispers of the High Priestess (impersonated by playwright and director Dionna Michelle Daniel) or with the piercing eyes and husky voice of the slave Betty (Morgan Camper). Standing in the middle of a field covered in ...

Pros: Strong physical performances and lovely music Cons: The theatre wasn’t big enough to house all our dreams Since the premiere of Joan Clevillé’s Plan B for Utopia in 2015, we’ve seen the referendum vote to leave the EU, the election of Donald Trump, and the continued spate of terror attacks. With impressive clarity of vision, Clevillé has succeeded in creating a choreographic language that resonates with humanity and remains relevant in these rapidly changing times. Fittingly, the two performers ...