Compelling pacifist play by Tony Harrison in which we are posed with the question of what men decide to do with scientific progress

Pros: An exhilarating performance that barely uses words, but takes your breath away and makes you feel so much.   Cons: You have to interpret and feel the show, rather than be given all the answers. In 2015, Battersea Arts Centre’s Grand Hall was engulfed by flames. With perseverance and hard work by the firefighters and theatre team, the front of the building was opened 26 hours later. With the support of over 6,000 people, they raised funds, re-housed shows and ...

An imperfect production of a promising text.

Pro’s: Intensely dramatic and beautiful adaptation of classic; not one to miss. Con’s: Anything that wasn’t quite up-to-scratch was forgiveable, and more than made up for. Lorca’s classic is given the modern-day London treatment by a multinational, multi-talented cast. Boldly and subtly adapted into the 21st Century, this production of Blood Wedding seamlessly weaves the everyday of 2018 into the grand and timeless themes presented first in Madrid 85 years ago. This adaptation of what is, at its simplest, a ...

Pros: The solid sound and lighting design. Cons: This pessimistic portrayal of mental illness doesn’t contribute to fighting the stigma, and risks sending out a discouraging message. The soaring incidence of suicide in British men under 45 has recently become one of the most recurrent topics in fringe theatre. This reflects an attempt to make sense of the phenomenon, raise awareness and, in many cases, try to suggest solutions. Playwright Alex McSweeney’s decision to explore this subject matter came after ...

Pros: A rare opportunity to see some of Italy’s most iconic theatre works. Cons: The language barrier is only partially compensated by the presence of subtitles. Promoted by the Italian Cultural Institute and curated by Monica Capuani, the first edition of the Italian Theatre Festival was hosted at The Coronet, a long-standing arts institution in the heart of Notting Hill. Spread over two days, the event included four plays by some of Italy’s most renowned theatre-makers, as well as a ...

Pros: A virtuoso performance from Milly Thomas both as writer and performer, easily holding the attention with the slightest glance or mannerism. Cons: A dissection of emotional frailties and dysfunctional relationships is often uncomfortable to watch. I had to steel myself reading the programme for this one woman, one act monologue written and performed by the brilliant Milly Thomas. The play begins with a sparse set populated with three mirrors and a long narrow table, which we soon learn is ...

This musical is unique, fresh and fantastic. A true product of hard work and talented individuals.

Pros: Great jokes and a wonderful heroine Cons: The bits of slo-mo physical theatre don’t add much The narrative holds few surprises, but Kiss Me is a beautiful chamber piece that draws you in with the warmth and complexity of its two characters, Stephanie and Dennis. Stephanie was a young bride and now, in the aftermath of World War I, is a young widow. With most of the young men gone, she enjoys doing a man’s work, driving a truck, ...

Part-pissed “improv” for a part-pissed audience