With humour and pathos we’re warmly invited into the world of Tash; black, queer and working class

Superb drama of growing pains and sexual confusion

Three shorts which examine how and why we apologise.

although the required parts of the play were present, it ultimately felt roughly put together.

Extremely enjoyable, accessible production.

A spine-tingling trio of immersive experiences

This pair of stylistically different but equally affecting 50 minute pieces by Christopher Reid are well-pitched to straddle the interface between poetry and drama. The first, Scatterings, is an ode to a middle-aged man’s late wife. Tender and mournful, its poignancy is somehow elevated by an absence of rage. Robert Bathurst has just the right sonorous tones for the part, and when Rebecca Johnson joins him to enact reminiscences from a holiday in Crete, or later hospital episodes (there’s a ...

This might look like a children’s show but fear not, it’s one us adults should try to reclaim for ourselves.

Reeling from the death of their mother, Scottish musician Alannah (Natalie Allison) moves to London looking to support her troubled brother Tommy (Ryan Williams). A chance encounter with the idealistic leader of the Liberal Democrats, Christopher (Stephen Ashmore-Blakely) leads to a romance. On the other hand, his loveless marriage to his Lady Macbeth-Esq wife Helen (Stephanie Lane) begins to crumble around them as he begins to develop feelings for Alannah. So far, a meaty mix of emotional clout and sweeping ...

A beautiful, funny, epic piece of story-telling