An endearing show which, while it entertains and amuses, educates children and serves as a reminder to the rest of us.

A fast-paced dark comedy that uses physical acting and impersonation to expose a narcissistic and harmful mindset.

Original and enjoyable show by one man (and two speakers!) which offers an interesting view on self-reflection and the play-within-the-play theme.

Pros: Gary Owen’s witty script and the actors’ fine performances. Cons: Depiction of the women in the play as universally Machiavellian and abusive. Thursday night at the Boar’s Head is disco night: Gary’s disco night. Except that this Thursday, the pub’s landlord has decided to replace Gary’s disco night for karaoke night – or as Gary says, outraged, “kara-fuckin-oke”. Gary, being the thug and bully that he is, won’t tolerate this flagrant invasion of his territory, so he gives the ...

A funny, irreverent and beautifully designed musical that pokes fun at other musicals.

A delight of an evening; entertaining monologues interspersed with powerfully performed songs.

An of-the-moment piece that feels true to the state of modern dating and intertwined issues around consent, truth and power.

Loud. Obnoxious. Intense. Disgusting. And bloody brilliant.

A delightful and sweet play about three different generations, their ambitions and struggles, and the music that inspired their youth.

  Pros: A programme of finely tuned and fast-paced choreography which elicits technical and musical prowess. Cons: A characteristic as much as a con, but a little too repetitive in movement terms. This programme marks Richard Alston’s fiftieth year as a choreographer, so what better to way to celebrate than by presenting an evening which combines new work alongside extracts of that which spans the last five decades. We start with the new Cut and Run by Associate Choreographer and ...