A slightly rocky but enjoyable ride through this mad, blood-splattered Webster classic.
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Identity Crisis, Ovalhouse – Review
A one-woman vanity project that suffers from its own identity crisis.
Read More »No Place for a Woman, Theatre 503 – Review
Moving in every sense of the word, No Place for a Woman captures two women's survival instincts in and around a concentration camp. Though parts of the plot feel patchy, it's an absorbing watch.
Read More »The Magic Flute, King’s Head Theatre – Review
Pros: Hilarious performances, beautiful singing and outstanding design. Cons: Without an orchestra some of Mozart’s magic is lost. Walking through a charming pub straight into a small pocket of the South American jungle isn’t how most would expect to start a night at the opera. Fortunately for us, Charles Court Opera’s production of The Magic Flute at the King’s Head Theatre refreshingly does away with rows of seats, facing a stage, overlooking an orchestra, and puts us firmly in the thick of it. Simon ...
Read More »Metamorphosis, The Vaults – Review
A brilliantly bizarre performance!
Read More »Home, Ovalhouse – Review
Fresh and thoughtful multi-sensory production, designed for those with profound and multiple learning disabilities and their carers, that is just as magical as theatre should always be.
Read More »The Pulverised, Arcola Theatre – Review
The toxic side effects of globalisation through the eyes of four employees of a multinational company.
Read More »Voices from Chernobyl, Jack Studio Theatre – Review
An incredibly important story that deserves commending for being shared. Thought-provoking and heartfelt throughout.
Read More »Brimstone and Treacle, Hope Theatre – Review
Although provocative and daring in the 1970s, Dennis Potter’s work hasn’t worn particularly well over the years, but the cast save an otherwise mediocre play.
Read More »When Harry Met Barry, Above The Stag Theatre – Review
Delightful musical rom-com with an instantly loveable cast.
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