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Off West End

Ah, the Off West End. For those not familiar with the term, this is where the real magic of the London theatre scene happens. Great shows are born here, in pubs, in 50-seat theatres, in tunnels. Recommended for the adventurous – we can’t get enough of it, and you’ll save a quid or two as well!

Joy, The Vaults – Review

Pros: Powerful and surreal Cons: Lacked a bit of polish and the DJ´s role could have been clearer It is 5 am, and the morning after an S & M party. Joy’s lover has disappeared, so she returns to the scene of the crime to piece together her feelings. In this one woman play, each moment of dialogue is filled with such a level of drama its surreality is enormous. From talking, throughout, to a bright, white, male blow up doll, ...

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The Soul of Wittgenstein, Omnibus Theatre – Review

Pros: Subtlety, hilarity and tragedy in equal measure Cons: Restatement of character qualities becomes repetitive in just a few places, but that’s it Based on a tidbit of information that philosopher Ludwig Wittgenstein spent a period pushing trolleys at Guy’s Hospital during the Second World War, writer Ron Elisha weaves a rich narrative that, in just over an hour, explores philosophy, language, literature, religion, and an intriguing relationship between an Austrian ex-professor and an illiterate Cockney amputee. The performance took at Omnibus Theatre, and the ...

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The Poetry We Make, The Vaults – Review

Pros: The topic is compelling and presented from an original and timely perspective. Cons: The character of Elliott is underwritten. How would we react if we discovered that our partner of four years was undergoing gender reassignment? Hopefully, many of us would be cool with it, offering support and appreciating the courage of letting one’s true nature flourish. Some others, though, might feel cheated and even try to make the whole thing about themselves. The latter case applies to Elliott (Elena Voce), whom ...

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One Duck Down, The Vaults Theatre – Review

Pros: Silly family fun with a creative set, musical numbers and lots of laughs. Cons: The ending runs out of steam and may lose the interest of younger audience members. FacePlant Theatre have put a serious issue at the centre of a gloriously silly hour-long piece of theatre aimed at adults and children of all ages. Our unlikely hero is 17-year-old Billy, whose cantankerous love-interest has set him the seemingly impossible task of retrieving 7000 rubber ducks which are adrift ...

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Drag me to love, Omnibus Theatre, Clapham – Review

Pros: A glittery, toe-tapping fun fest which gives you an insight behind the scenes of the world of drag. Cons: We were promised a few tears, but I didn’t shed any. Would have liked to see a little bit more of the struggle in Bonnie’s story. A riot of iconic gay anthems, neon wigs and fistfuls of glitter confetti, this 45-minute performance is the story of Cameron Sharp’s early life and that of his drag alter ego, Bonnie Love. We ...

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