If you like 1920s musicals, you'll enjoy this homage to the Jazz Age.
Read More »Off West End
Le Gateau Chocolat: Black, Conway Hall – Review
An inspiring and heartfelt paean to the courage of being true to oneself.
Read More »Scenes From An Urban Gothic, The Vaults – Review
A laugh-out-loud one-man show that combines excellent execution with some highly imaginative and partly obscure content.
Read More »Summer Nights in Space, The Vaults – Review
It’s hit and miss in this eccentric new musical about space travel, aliens and friendship.
Read More »Three Unrelated Short Plays, Theatre N16 – Review
An impressive and entertaining debut. You won’t be blown away, but it’s an enjoyable hour.
Read More »Flew the Coop, New Diorama Theatre — Review
Flew the Coop has wings that, whilst slightly clipped, are strong enough to make it fly. (Unlike the chickens that weren't harmed during the making of this play.)
Read More »Madam Butterfly, King’s Head Theatre – Review
An accessible production with some captivating performances.
Read More »Mocketh The Weak, Hen and Chickens Theatre – Review
Something unexpectedly different and entertaining, if you are up for an Elizabethan laugh.
Read More »La Ronde, The Bunker – Review
A cleverly crafted and thought-provoking piece of theatre, featuring a playful 'randomiser' mechanism
Read More »Villain, King’s Head Theatre – Review
Pros: An immensely likable performance from Maddie Rice, making light of a demanding script. Cons: A story told in flashback wasn’t easy to follow at times. There are times when we get things wrong in our job. The consequences are, for the most part, negligible: embarrassment, a knock to our confidence or maybe the loss of a bonus. But what happens if an error changes someone’s life beyond all recognition? That’s the conundrum posed by Villain, a one act monologue featuring social worker ...
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