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Off West End

Ah, the Off West End. For those not familiar with the term, this is where the real magic of the London theatre scene happens. Great shows are born here, in pubs, in 50-seat theatres, in tunnels. Recommended for the adventurous – we can’t get enough of it, and you’ll save a quid or two as well!

Richard Alston Dance Company – Mid Century Modern, Sadler’s Wells- Review

  Pros: A programme of finely tuned and fast-paced choreography which elicits technical and musical prowess. Cons: A characteristic as much as a con, but a little too repetitive in movement terms. This programme marks Richard Alston’s fiftieth year as a choreographer, so what better to way to celebrate than by presenting an evening which combines new work alongside extracts of that which spans the last five decades. We start with the new Cut and Run by Associate Choreographer and ...

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Madhouse Re:Exit, Shoreditch Town Hall – Review

Pros: The poignant stories told by the actors about their experiences of what it means to live with a learning disability. Cons: Too many horror film features makes the set look like a haunted house in an amusement park, undermining the importance of the subject. I would like to make this a democratic review. Yes, I can already see your baffled faces but let me explain before you switch to The Stage. When I left Madhouse Re:Exit I was puzzled. ...

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Cherry Orchard, Union Theatre – Review

Pros: The obviously enthusiastic cast make a decent attempt at Chekhovian drama. Cons: An awkward adaptation, misguided direction and a lack of depth let this production down. Why do we still love and perform Chekhov? Over a hundred years since the great Russian playwright’s death, this is a valid question, and one that director Phil Willmott tries to answer in his programme notes for Cherry Orchard (theThe has mysteriously vanished) at the Union Theatre. He wants to make the play ...

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