Featuring some outlandish plot devices that are lacking in depth, LoveStuck is certainly not a dull musical!

A mind-bending, thoroughly enjoyable romp through several centuries of music and marriage.

An excellent plot nearly gets buried under a bland song book, but powerful storytelling wins in the end.

A boisterous musical with balls and a lot of heart!  

Inventive project with a fabulous score, story could have flowed better.

A light-hearted medieval musical with a solid cast, occasionally brilliant comedy and some catchy songs, but sadly lacking the overall polish and wow-factor of Tim Rice’s later triumphs.

If you want to laugh hysterically and be impressed by an original performance, this is the show for you.

Pros: The cast, the live music and the great use of integrated sign language. Cons: Pete Townshend – bloody good songwriter, questionable grasp on narrative structure. Ramps on the Moon is a long-term collaboration between a number of theatres and theatre companies, whose collective aim is to create shows that are accessible by and inclusive of people who are d/Deaf, disabled and visually impaired. In their latest outing, The Who’s 1969 rock opera Tommy is given a vigorous makeover that ...

Pros: Lively, lovely and wonderfully funny. Cons: Hard to find any. No, really, it’s very good! The Mikado can be a challenging production. An opera set in Japan but written by two Caucasian Britons in 1885, which has actors running around with names like “Nanki-Poo” and “Pooh-Bah” clearly suggests an outdated and imperial approach (even if its original intention was to satirise British politics). But don’t let that daunt you when it comes to Sasha Regan’s excellent all-male interpretation at the ...

Old style Broadway theatre, which might have fallen flat if not for a strong cast giving everything they had.