Home » Reviews » Drama (page 98)

Drama

A staple for us and for many if you fancy a more traditional play. When we first started Everything Theatre it was specifically to review drama. We’ve branched out over the years, but it will always be a favourite of ours.

Rats at Etcetera Theatre – Review

Pros: Rats is smart and hilarious, with excellent performances and a bitingly relevant script.  Cons: The ending is predictable, and some of the emotional moments feel under-explored. In 2016, Microsoft released Tay, a chatbot that could learn by interacting with people on the internet. Sadly, the chatbot had to be shut down after it began spouting Nazi slogans and sexually explicit messages. If machines can learn from humans, they can also learn our biases, our flaws, and our cruelty. We ...

Read More »

Cuckoo, Soho Theatre – Review

Pros: Superb script and performances Cons: A few plot points not entirely clear “Thank fuck for Ryan Air!” isn’t something you hear that often in real life or in the theatre, what with all the cancelled flights and relentless penny pinching. But this uncommon praise is understandable, coming from the lips of young misfits looking to flee small town life in Ireland for the bright lights of London. Iona (Caitriona Ennis) and Pingu (Elise Heaven) are best pals with a ...

Read More »

Love Lies Bleeding, Print Room at the Coronet – Review

Pros: An excellent cast of familiar faces give the play a much needed boost. Cons: A beautiful venue in serious need of refurbishment and a script requiring similar tender loving care. I feel quietly reassured when a Grade II listed building is purchased and restored to its original function. The Coronet in Notting Hill Gate is one such example. Designed by legendary theatre architect W.G.R. Sprague it opened with royal patronage in 1898 and hosted a variety of productions until ...

Read More »

Rendezvous in Bratislava, Battersea Arts Centre – Review

Pros: Rendezvous is inventive and immersive, with catchy songs and great performances.   Cons: The comic interludes can be frustrating, as they distract from an otherwise compelling story. Laughter is a powerful response to oppression. Comedy has a long history of speaking truth to power, and cabaret is no different. Czechoslovakia, a country that endured both Nazi and Soviet rule, had plenty of horrors to contend with, particularly for the Jewish population. But for one cabaret writer, plenty to laugh at as ...

Read More »

Super Duper Close Up, The Yard – Review

Pros: Engaging, smart and surprising, Jess Latowicki carries you with her deeper and deeper. SDCU takes on baffling cultural matters with an engaging directness. Cons: Too baggy particularly around the end and could benefit from pruning, sharpening and general revision. The dance? Fun, but too long.  Jess Latowicki performs Made in China’s new show on a set made up of an over-fluffy carpet, a calming waterfall backdrop, and, we are soon to discover, a camera providing us with a live-stream of the performance, ...

Read More »

Walk Swiftly and with Purpose, Theatre503 – Review

Pros: A beautiful insight into the minds of four teen girls as they come of age. Cons: More work is required to make the conversations feel much more natural. Eve, Robbie, Misha and Looby: four teenage girls protected from much of the world due to the privilege of their private education. Of course that also means protected from boys. So it’s no surprise that much of Walk Swiftly and with Purpose explores that aspect of any teens life, the opposite ...

Read More »

The Pit and the Pendulum, Omnibus Theatre – Review

Pros: The original twist of a Poe horror classic. Cons: Too much focus on how the play is delivered (headphones, projections) and less on the content of the play itself, which feels overloaded. There are many things in common between the Spanish Inquisition and the Guidance Patrol of Iran. Both were created to maintain religious orthodoxy and police people’s morals. Neither was particularly keen on women. Edgar Allan Poe’s short horror story The Pit and the Pendulum recreates the torments of ...

Read More »

Bury the Dead, Finborough Theatre – Review

Pros: Irvin Shaw’s 1936 expressionist play about the futility of war is brilliantly brought to life by director Rafaella Marcus. Cons: This excellent staging does its best with a slightly uneven work, though the last third feels very much of its time. There’s always a lovely sense of expectation, going up the stairs to the Finborough Theatre. While the pub has recently been modernised and lost its old school atmosphere, the theatre remains unchanged and is as evocative as ever. ...

Read More »