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Drama

A staple for us and for many if you fancy a more traditional play. When we first started Everything Theatre it was specifically to review drama. We’ve branched out over the years, but it will always be a favourite of ours.

Of Our Own Making, Tara Theatre – Review

If there’s one topic which occasionally penetrates the news agenda through the cacophony of the Brexit debacle, it’s the ongoing refugee crisis, as the displaced population of war-torn Syria continues to strive desperately to reach some sort of safety in Europe. Jonathan Brown’s extremely accomplished play introduces us to Saif (Vincent Kerschbaum), Hassan (Hamza Siddique), Amira (Natali Servat) and her tiny baby, who have trekked through Egypt to the Mediterranean coast, whence they hope to board a boat to Italy, ...

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The Ruffian On The Stair, Hope Theatre – Review

A lesser known Joe Orton play was the incentive for a long overdue visit to the Hope Theatre in Islington. I’m guessing most people wouldn’t be able to name more than three of his plays; Joe Orton actually wrote nine that have at some point been performed on stage. So I’m fairly certain The Ruffian on the Stair is one of the six you don’t know. It was originally written as a radio play and first broadcast by the BBC ...

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Cuzco, Theatre503 – Review

Language can take you on a journey. Through stories we can explore the histories, cultures, and struggles of people across continents and ages. In a more literal sense language, or rather translation, can bring these stories to new audiences, many miles away from their source. In Cuzco, an unnamed couple journey to Peru. He hopes to rekindle the spark in their relationship. What she wants is unclear. As the two travel from one exotic locale to another they are driven ...

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Taro, Jack Studio Theatre – Review

Pros: Smart, well-written, and extremely well-acted. Cons: Elements around life and afterlife aren’t always clear, and some familiarity with the story is helpful. This is an energetic and enjoyable production which looks at the true life story of Gerda Taro, the first female photographer killed in action. Taro was a force of nature and she’s brought to life wonderfully in this production. Born Gerta Pohorylle (a Jewish woman in Stuttgart pre-second world war), she moved to Paris in the midst ...

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Blue Departed, The Vaults – Review

Pros: Excellent performances by the three cast members.  Cons: The ending is a bit of a damp squib. So the Vault Festival is in full swing beneath Waterloo station. With its interesting spaces and buzzing atmosphere it is well worth a visit. Looking at the eclectic mix of shows available you will surely find something that takes your fancy.  With some planning it may even be possible to see more than one per visit. But one of the problems of ...

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Bricks of The Wall, Etcetera Theatre – Review

Pros: Has little to commend it, aside from a cast who are clearly enjoying the material.      Cons: Suffers from an overdone plot, clunky dialogue, poor characterization and, most regrettably, nothing to say. Brexit was, for better or worse, a defining moment in British history. Depending on your outlook, the vote to leave the European Union could represent triumph or travesty, a chance to redefine British society and identity or a woeful regression to a darker time in European politics. Theatre can, ...

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Gentleman Jack, Jack Studio Theatre – Review

Pros: Tremendous acting, wonderful writing, and a fantastic look into the past of an incredible woman. Cons: There are some slight questions around the character development. If you ever needed a reason to venture into South East London, Gentleman Jack at the Brockley Jack theatre is it. This true story of a remarkable female pioneer is inspiring, absorbing, and deserves a full house at every performance. The story of Anne Lister is set across three different decades in the 1800s, ...

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Original Death Rabbit, Jermyn Street Theatre – Review

Pros: The beguiling Kimberly Nixon mastering some tightly packed dialogue. Cons: The script is occasionally patronising, diminishing what is otherwise a smartly observed piece. I always feel a quiet burst of pride when among the first to see a new play. So I can now say I was there for the Original Death Rabbit at the Jermyn Street Theatre. Rose Heiney (of Fresh Meat fame) adapted her original Radio 4 play for the stage and has produced a dark and ...

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