A delightfully raucous tale of women making their mark in prize fighting London.

An outstanding one-man show about an ordinary solider’s wartime experiences.

I love the metaphor at the heart of The Glass Menagerie. Laura, the daughter of the play, overwhelmed by the expectations of the world, treats her collection of tiny glass animals with such care lest they break. To stage this play, the metaphor must radiate through every facet of its production. Laura’s anxiety threatens the security of her family, should she not find a husband. Her mother Amanda’s desperation to micro-manage her life maintains a familial tension that holds the ...

Intense and vivid account of the Catch 22 of gang life in disadvantaged communities.

There is a song, Angles, by Dan Le Sac vs Scroobius Pip, about how nothing is as clear cut and simple as it might seem. In just three minutes and 56 seconds it speeds through four characters, all connected by one incident that has terrible consequences for all involved. Except each character sees themselves as the good guy, and views others involved as the bad one, as the one that is the cause of so many of society’s problems. Look ...

A smart, fresh take on a modern dystopian setting

Because film is such a powerful medium it naturally becomes a reference point for any stage adaptation. The Talented Mr Ripley is a perfect example, coming twenty years after the big screen version starring Matt Damon and Jude Law. Here the four principal characters, within a self-contained plot, seem to suit the stage well. The understated grandeur of Wilton’s Music Hall also provides a natural atmosphere in which to crank up the tension. Tom Ripley (Christopher Hughes) is a small ...

Does My Bomb Look Big in This? was born from actor Nyla Levy’s dissatisfaction with being typecast as a ‘jihadi bride’. It deals with teenager Yasmin’s (played by Levy) slow enticement into, what she thinks, is a hopeful new life for her with ISIS. There’s a meta aspect to the play, as it consciously acknowledges its theatrical form to put forward the story of Yasmin, and her best friend Aisha (Halema Hussain). The two play myriad characters, including their family ...

The hierarchy between Othello (Peace Oseyenum) and the sneaky network of unfaithfuls beneath him/her (although the actors are female, the characters are still their original gender) is set up around the stairs, at the outset of the play, which wouldn’t be possible in a usual theatre. So, from the first moment, we feel the long, dark tunnel stretching out above and beneath us. This is a place of no escape, and as Othello descends the stairs, you get the feeling ...

A funny, prescient and revealing drama that cleverly spins a big tale