An enjoyable piece of theatre that is well worthwhile, unless you really want your theatre to come with a heavier dollop of social commentary.

This revival of a 1935 play can be better appreciated for its historical value, rather than its appeal to modern tastes.

Beautiful and poignant production of a timely play about the heartbreaking experience of those children who came to Britain fleeing Nazi Germany leaving their parents and roots behind.

Interesting questions raised about bullying and racism in this restaurant setting, but the actions were slightly repetitive and nothing is really resolved.

Although Ian Grant aims to create a play around the themes of politics, women and war, the result resembles more a confusing period drama as seen from the eyes of his male protagonist.

We laughed, we cried, we loved it.

Both plays are sharply observed and well written but thank god for St. Hilda who lightened an otherwise sombre mood.

An immensely moving production that addresses the topic of the narcotics trade with honesty, minus the usual side of false glamour.

A one-woman comedy show that aims at presenting love as a chemical reaction. Propelled by the performer's charisma, it requires more polishing to make a lasting impression.

A timely and hilarious play about death and morality that will pull at your heart strings.