A wonderful and emotional one man show which gives an insight into the unique father-son relationship behind one of Hollywood's finest leading men.
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Tape, Drayton Arms Theatre – Review
An intense 75-minute piece that intelligently has you guessing throughout.
Read More »Big Brother Blitzkrieg, King’s Head Theatre – Review
A funny yet terrifying play with a strong ensemble and very dark undertones.
Read More »Mad, Bad and Dangerous to Know, Leicester Square Theatre – Review
Despite a decent turn from the leading man, there’s simply not that much happening in this show and it’s difficult to stay attentive throughout the entire 45 minute runtime.
Read More »Becoming Hattie, Leicester Square Theatre – Review
A wonderful reminder of the Carry On genre, and a genuinely affecting performance from Ashley Christmas in the title role.
Read More »Measure for Measure, The Rose Playhouse – Review
Heady Conduct’s makeover of Measure for Measure lacks character but highlights the commitment of the company to theatrical craftsmanship.
Read More »A Subject of Scandal and Concern, Finborough Theatre – Review
A timely, thought-provoking play based on a true story of the last man in England to stand trial for blasphemy.
Read More »This Is Living, Trafalgar Studios – Review
This Is Living is a funny, emotional and very clever production with a simple but effective set and strong cast.
Read More »Shakespeare Untold, Dome Studio (Brighton Festival) – Review
Pros: An imaginative new perspective on well-known stories Cons: Risks being patronising at times In a combined production from Shakespeare’s Globe and Seabright Productions, Shakespeare Untold introduces us to the worlds of Romeo & Juliet and somewhat obscurely Titus Andronicus, through the fictitious peripheral characters of the Capulet’s party planner, and the Emperor of Rome’s head chef. At two hours long, complete with interval, Shakespeare Untold is a fringe festival exception but the audience are never restless, not even for a ...
Read More »I’m Just Here To Buy Soy Sauce, New Wimbledon Theatre – Review
This is a well-written and tragicomic representation of London’s property market and its exploitation by foreign investors.
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