An overused storyline of thirtysomething Londoners linked by a dating app doesn't go anywhere meaningful.
Read More »Drama
For King and Country, The Colab Factory – Review
A good cast and attention to detail make this a decent piece of immersive theatre, but the threads need pulling together to strengthen the plot.
Read More »Moormaid, Arcola Theatre – Review
An alluring premise involving mental health, art and terrorism, but one that is never fully explored.
Read More »PERSUASION at The Playground Theatre- Review
Workmanlike adaptation of Jane Austen’s final novel
Read More »Sh*t-faced Shakespeare: The Merchant of Venice, Leicester Square Theatre – Review
The funniest thing in London right now. One of those have-to-be-there experiences, so I urge you: go be there.
Read More »The Gulf, Tristan Bates Theatre – Review
An atmospheric, slow-paced look at a dysfunctional relationship.
Read More »Significant Other Inc. The Vaults- Review
A nostalgic and romanticised portrait of factory life in the North of England in the 1980's, which successfully attempts to present pretty much all the roles one would find in an industrialised workplace.
Read More »Little Eyolf, The Print Room at the Coronet – Review
An Ibsen play successfully transported to the present day by some of Norway’s finest actors, in a near-flawless production. Norwegian language with surtitles sounds daunting, but it isn’t.
Read More »Gauhar Jaan – The Datia Incident, Omnibus Theatre – Review
Shining a light on India’s pre-Bollywood queen of entertainment, Gauhar Jaan is an original, funny and exciting debut play, albeit with a rushed ending and some scene change issues. It has rightly sold out its entire run already.
Read More »Sophie, Ben and Other Problems, Tabard Theatre – Review
The After School Club showcase serious potential that should be nurtured and encouraged in this funny and big hearted play about love.
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