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Drama

A staple for us and for many if you fancy a more traditional play. When we first started Everything Theatre it was specifically to review drama. We’ve branched out over the years, but it will always be a favourite of ours.

All in a Row, Southwark Playhouse – Review

With a small cast, the action takes place in the modest kitchen-living room of dysfunctional husband and wife Tam (Charlie Brooks) and Martin (Simon Lipkin), as they struggle to care for their severely autistic and non-verbal child, Laurence. Also in the equation is Laurence’s carer of two years, Gary (Michael Fox), who is both a blessing but also a constant reminder of the couple’s own failings as parents. The play has received a barrage of negative press for its representation ...

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Bodies, Southwark Playhouse – Review

Playwright James Saunders presents us with a classic scenario. A younger couple and an older couple gather together in a living-room, having not seen each other for nine years. Each spouse has cheated with the spouse of the other, and no-one is really sure why they agreed to meet. Chaos ensues; drama is born. This is the first staging of Bodies since 1979. Certainly Saunders is not a playwright I’ve encountered much in my long and lovely affair with drama. ...

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Bottled, Vault Festival – Review

Like the abusive marriage that it describes, Bottled starts off deceptively sweet. It is Katy’s 15th birthday, and she’s celebrating at home with family and her mum’s boyfriend, some shiny balloons and a violently pink cake. As she talks us through the scene, describing the characters and their part in her life, the commentary is wry and perceptive, a healthy mix of childish candour and teenage snark. When, shortly after that birthday party, she hooks up with Bradley, a hot, ...

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Agnes Colander, Jermyn Street Theatre – Review

It seems every time you step into Jermyn Street Theatre you step back in time.  Tonight, we are transported to around 1900. It’s a time when a woman separated from her husband would be perceived as damaged goods. It’s also a time when any play challenging perceived acceptable behaviour would likely be banned. It’s possibly because of this fact that writer Harley Granville Barker never let this play be performed.  Instead it sat collecting dust for over one hundred years, ...

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Rattled, Old Red Lion Theatre – Review

The wonderfully warm surroundings of the Old Red Lion in Islington has its usual glow: flock wallpaper, chesterfield sofas, a dog sleeping on the floor and football on the telly (think I’ve just described my house in the 1970s?). A framed England rugby union shirt now adorns the wall, and a Norwich City St Georges flag hangs over the bar. Not only does it stock a range of lagers, craft beers and cider, it also houses one of the finest ...

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Dracula, The London Library – Review

As a Londoner born and bred, a book lover and aspiring writer to boot, I am ashamed to admit I’d never heard of the London Library. Tucked away in St James’s Square, just behind Piccadilly, it houses over one million books. First editions, antiquities and periodicals stretching back five centuries; a treasure trove of history, knowledge and wisdom. How could I not have known about this place? Another startling fact: Bram Stoker joined the library in 1890 and did his ...

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The Half Moon Shania, The Vaults – Review

Feminism and fishnets, punk and precarious friendships, The Half Moon Shania shakes the Vaults Festival in this punk/rock opera reverberating with energy and poignancy. The show evokes youthful excitement and naivety within a dark smoky world. The rush and the barely organised chaos are infectious, but there are moments that don’t quite land as effectively as the rest of the show. THE G STRINGZ are a band of three best friends trying to secure a record deal in the Half ...

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Salaam, The Vaults – Review

Spanning the 30 days of Ramadan, the Islamic holy month, this play tells the story of Rema (Raagni Sharma) and mother Mariam’s (Yasmin Wilde) journey and growth during this spiritual time. It is a heartfelt story reminding us of the importance of unity, friendship and love. It’s a topical issue for today’s society, addressing conflicts of religion, terrorism and community. Sara Aniqah Malk’s script is both pure and real. The little intricate lines that help to establish the mother-daughter relationship, ...

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Of Our Own Making, Tara Theatre – Review

If there’s one topic which occasionally penetrates the news agenda through the cacophony of the Brexit debacle, it’s the ongoing refugee crisis, as the displaced population of war-torn Syria continues to strive desperately to reach some sort of safety in Europe. Jonathan Brown’s extremely accomplished play introduces us to Saif (Vincent Kerschbaum), Hassan (Hamza Siddique), Amira (Natali Servat) and her tiny baby, who have trekked through Egypt to the Mediterranean coast, whence they hope to board a boat to Italy, ...

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The Ruffian On The Stair, Hope Theatre – Review

A lesser known Joe Orton play was the incentive for a long overdue visit to the Hope Theatre in Islington. I’m guessing most people wouldn’t be able to name more than three of his plays; Joe Orton actually wrote nine that have at some point been performed on stage. So I’m fairly certain The Ruffian on the Stair is one of the six you don’t know. It was originally written as a radio play and first broadcast by the BBC ...

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