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Review: Ballet Freedom, EdFringe 2022
Ballet Freedom is a sexy, heartbreaking exploration of love, upheaval and loss.
Read More »Review: Liszt Mosaics, Sadler’s Wells
A night of thigh-slapping fun accompanied by world class classical and folk music from Hungary.
Read More »Review: Tristan and Isolde, Coronet Theatre
A breath-taking and exhilarating depiction of Wagner’s epic tragedy
Read More »Review: Remembering The Oscars, The Peacock Theatre
A dazzling dance spectacular
Read More »Review: When Jazz meets Flamenco, Lilian Baylis Studio (Sadler’s Wells)
the flamenco being the absolute star
Read More »Review: The Return, online @ The Cockpit
A breath-taking show using music and movement
Read More »Beats On Pointe, Peacock Theatre – Review
If you’re into dance, the Peacock should be on your radar. It plays host to some of the most original productions around, yes. But just as importantly, it gives you an up-close-and-personal view of that all-important footwork from virtually every seat in the house. This intimate vibe works particularly well for Beats On Pointe, a groundbreaking Australian dance show on the first stop of its world tour. It’s sold as ‘an electric fusion of street dance and ballet’. But that’s ...
Read More »The Idiot, Print Room at the Coronet – Review
Fyodor Dostoevsky’s The Idiot revolves around Prince Myshkin (Saburo Teshigawara), a young man who returns to Russia, having spent four years in a Swiss clinic to treat his epilepsy. Soon, his good spirit and innocence clash with the dirt and evil of the local aristocracy. This is represented on stage in the contrast between the Prince’s pristine costume and the stark, if gorgeous, gowns of Nastasya Filippovna Barashkova (Rihoko Sato), the unworthy woman with whom he becomes increasingly obsessed. In ...
Read More »To Be Me, Laban Theatre – Review
Two works engaged with the personal yet universal issues of gender and identity, with strong sound design and excellent performances.
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