An ingenious, joyful and inventive piece of physical theatre that brings the end of the jazz era to life through beautiful performances, clever use of percussion, and play with light and shadow.
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Fatherland & Until You Hear That Bell, The Place – Review
Two autobiographical studies, featuring very different approaches to narrative structure.
Read More »Once Upon a Midnight Dreary, Blue Elephant Theatre – Review
Two very different pieces with very different moods, but one compelling show.
Read More »A Simple Space, Southbank Centre – Review
An incredible acrobatic display of human limits that is absolutely unmissable.
Read More »Bridging the Void, Blue Elephant Theatre – Review
An immersive performance based upon the American Indian worship of the rising sun combining movement and video. A lack of plot was not helped by some significant technical difficulties.
Read More »Two to Tune/10 Tracks for the End of the World, The Place – Review
Contemporary dance is a difficult concept to read and fully appreciate, but this performance is particularly hard to decode.
Read More »Shock Treatment, King’s Head Theatre – Review
Beautifully bizarre and wickedly entertaining, this show will only get better with time.
Read More »Bridlington, The Rosemary Branch Theatre – Review
With masses of potential, this overcomplicated story sadly lacked any sense of direction and was rather too ambitious.
Read More »Miann, Southbank Centre – Review
A haunting, expressive performance, but it probably appeals mostly to specialist audiences.
Read More »Bayadere, The Ninth Life, Linbury Studio – Review
A clever collaboration between a classical dance narrative (La Bayadère), dance history and modern thought and interpretation.
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