A breath-taking show using music and movement

If you’re into dance, the Peacock should be on your radar. It plays host to some of the most original productions around, yes. But just as importantly, it gives you an up-close-and-personal view of that all-important footwork from virtually every seat in the house. This intimate vibe works particularly well for Beats On Pointe, a groundbreaking Australian dance show on the first stop of its world tour. It’s sold as ‘an electric fusion of street dance and ballet’. But that’s ...

Fyodor Dostoevsky’s The Idiot revolves around Prince Myshkin (Saburo Teshigawara), a young man who returns to Russia, having spent four years in a Swiss clinic to treat his epilepsy. Soon, his good spirit and innocence clash with the dirt and evil of the local aristocracy. This is represented on stage in the contrast between the Prince’s pristine costume and the stark, if gorgeous, gowns of Nastasya Filippovna Barashkova (Rihoko Sato), the unworthy woman with whom he becomes increasingly obsessed. In ...

Two works engaged with the personal yet universal issues of gender and identity, with strong sound design and excellent performances.

Pros: The thought that went into the movement, the production, set, music, costume. Brilliantly executed, bringing serious topics to the forefront to force us as a society to address them. Cons: Although the movement was amazing to watch, at points it repeated the ‘puppetry’ physicality a bit too much. Jasmin Vardimon and her company’s work are all about making the body political. Justicia comments on the injustice in our legal system. 7734 was representative of Vardimon’s own experience as a ...

Pros: Lovely gentle comedy Cons: Very much a children’s show – possibly overly simplistic for accompanying adults. Friendship and treasuring the little things are the themes of this charming silent comedy for children ages 3-6. Andy Manley is a warm and clownish figure, asleep on his desk as the audience take their seats. Silliness ensues when he wakes and finds his chair taped to his bottom. Manley says he thought it would be fun to make a show featuring sticky ...

It may say Trump and America on the label, but this superbly written play could as easily be examining the world being created by Brexit, and for that reason, it is well worth the time of anyone who cares about what is happening all around us.

Pros: Inventive and inclusive dance theatre. A moving and necessary exploration of domestic violence. Cons: While the piece’s educational mission can’t be faulted, it could have explored the psychology of the subject matter more creatively. ‘Welcome to the party!’ Music is blaring, and drinks are being poured. ‘Help yourself to popcorn, marshmallows, what can I get you my love?’ Beverly is having a party, but it won’t all be fun and games. A collaborative, participatory piece, Smack That (a conversation) ...

Cathartic show in which professional performers work with a group of people who have suffered a stroke.

  Pros: A programme of finely tuned and fast-paced choreography which elicits technical and musical prowess. Cons: A characteristic as much as a con, but a little too repetitive in movement terms. This programme marks Richard Alston’s fiftieth year as a choreographer, so what better to way to celebrate than by presenting an evening which combines new work alongside extracts of that which spans the last five decades. We start with the new Cut and Run by Associate Choreographer and ...