Weird, odd, exceptionally creative and hilariously funny, this is a unique and entertaining show.

An explosion of energy, glitz, dance and drama which provides an interesting exploration into LGBT history and social inequality.

Atresbandes seduce the audience with a heady world of contemporary images which are sometimes confusing but always watchable, and carry a compelling message.

Pros: You’ll laugh so hard your sides will hurt. Cons: Your sides will hurt. Victoria Melody has trained as a police officer, a championship dog handler and a pigeon racer (who knew that was a thing?) for her performances. Her latest showing, Ugly Chief, came from a time when her Dad, Mike Melody, was diagnosed with motor neurone disease and given less than five years to live. Those of you with a love for daytime TV (should you care to ...

A light-hearted and exhilarating comedy about the current financial struggles and the money lending business loop.

A more than fine cast do their best, and for a certain audience, this may be a great night out, but for those after a more modern show, this really isn’t for you.

A glorious and timely tragicomedy that explores homosexuality, and its decriminalisation, as seen through the eyes of teenage boys full of hormones and rage.

Pros: Truly enjoyable performances all round of a simple, but inviting story Cons: Slight lack of energy within the second half as the storyline changes Jack Studio Theatre in Brockley never fails to present exciting work. Coming to the Jack, you are guaranteed to have a warm reception and a nice night out, so John Godber’s On the Piste was a fantastic reason to enjoy another evening there. There are always a lot of expectations when the intro states ‘Olivier ...

Pros: A multi-layered concept, deftly handled by Morpurgo, who has the audience eating out of the palm of his hand. Cons: Audience participation elements might deter some theatregoers. Also, the Soho Theatre’s side-view seating makes it easy to miss some of the jokes. Have you ever sat through a highbrow 9-hour vanity project based on Mary Shelley’s Frankenstein, followed by a post-show Q&A? Nope, neither have I, but Joseph Morpurgo’s Hammerhead takes that concept and runs with it, imagining a ...

This is an unpolished but nonetheless very well executed show, fun in its current form and full of future potential.