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We love a good discussion, and we want you to be involved in them. That’s what our opinion pieces are all about. However, we do play by a specific set of rules. We’re not into factional criticism or unprovoked ranting. Instead, we’re going for positive opinions or very broad concerns; we’ll never single out individual people, companies or venues for criticism. This is our very loose editorial code.

Riches to Rags: Two Takes on Opera in 2017

Credit: Robert Workman

In late November I saw the world premiere of the contemporary opera Marnie at the London Coliseum. In addition to the dozen or so principals, I counted a chorus of 37 who appeared variously as office workers, funeral mourners and party guests. Plus 10 dancers who doubled as scene shifters, and four additional Marnie alter egos. That made an on-stage cast of over 60; add in the orchestra, the lighting engineers and the rest of the backstage crew, and it meant that well over 100 ...

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Dipping a Toe in the Edinburgh Fringe

Credit: Posers

When I arrived in Edinburgh on 22 August, the weather was as moody as I had expected it to be, changing from rain to sunshine and rain again during the short walk to my accommodation. A few months earlier, I had secured a room with the Network of Independent Critics and, for the first time in my life, I was about to experience the Edinburgh Festival Fringe. That first day went in a flash and provoked mixed feelings of discomfort, fear and excitement. Luckily, I ...

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