Everything Theatre An honest and unpretentious guide to the London theatre scene.

A fine solo performance around the radicalisation of the disenfranchised

more a sketch show of characters than a comedy of a bungled hijack

Expect mayhem, expect chaos, expect to question the performers sanity

I am a real sucker for the human voice. Usually though it’s when it’s being used as an instrument and not to make the most incredible array of sound effects heard from the mouth of Lewis Doherty. Because Doherty is a one-man beatboxing sound machine. Boar, on the face of it, isn’t a show that would have cross section appeal. Its basis is very much in the fantasy realms of Game Of Thrones and Lord of The Rings. The story ...

a credit to the natural storytelling skills of Kevin P Gilday.

Already an enjoyable performance, and one that suggests great this show could be even better with more time

“Audiences should walk out saying I don’t know how to feel.” It’s a line from early on in America Is Hard To See that perfectly sums up mine, and likely most of the packed audiences feelings as we filtered out into the evening rain. Because it’s difficult to decide how to feel having just witnessed an incredible and emotionally fuelled show about sex offenders, and the way we view and treat them. The show is made up entirely from interviews ...

It’s near on impossible not to smile and laugh at the festival antics of our two girls

told with compassion and love for the man's legacy.

A powerful and thought-provoking play