Home » Author Archives: Rob Warren

Author Archives: Rob Warren

The Fatal Eggs – Review

Baron’s Court Theatre I really wanted to enjoy So It Goes Theatre’s The Fatal Eggs. I really really did. Having thoroughly enjoyed their reworking of Dante’s Divine Comedy at the same venue previously, I was hopeful that returning again would give witness to another piece of creative theatre. And yes, much like Divine Comedy, they make use of the compact space available, incorporating some lovely visual trickery and some rather subversive direction in an attempt to bring the story to life. But ...

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The Last Will and Testament of Henry Van Dyke – Review

Tabard Theatre There is a fine line between being clever and being a little too clever for your own good. The Last Will and Testament of Henry Van Dyke is a play that tiptoes precariously along that line, spending time on either side through its 50-minute duration. Without doubt writer Karrim Jalali manages to create two well rounded characters, simply called Person 1 and Person 2. Both are beautifully brought to life by the chemistry between actors Nathan Wright and ...

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The Pitchfork Disney – Oval House

The Pitchfork Disney, Philip Ridley’s debut 1991 play, aims to do two things. Firstly, to disturb the audience (it was credited with introducing “in-yer-face” theatre following its 1991 debut) and secondly, to leave you questioning what it was all about.  Somna Theatre Company, clearly working on a shoestring budget, make a good effort to do both in the small confines of the Upstairs Theatre at Oval House. From the moment we enter our two siblings, Presley and Haley Stray (Pip ...

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Killymuck / Box Clever Double bill – Review

The Bunker Theatre Social inequality is the theme that binds Killymuck and Box Clever together, a double bill of one woman shows at The Bunker. But there is so much else that links these shows. Both have powerful performances from their sole actor, exploring the lives of young women affected by the simple fact they were born into poverty and social inequality, and both are a mixture of laughter and seriousness as they try to present their topics in a ...

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She’s A Good Boy, Battersea Arts Centre – Review

Homegrown Festival: Occupy He. She. Him. Her. They.  Such little words but with so much meaning.  But as Elise Heaven tells us, gender is a social construct.  There are people who don’t identify as he or she, otherwise known as non-binary.  Such as Elise Heaven, who isn’t he or she, but as is Elise’s wish, the pronoun to use is “they”.  Except they is singular, not plural.  Well that’s going to mess my editor’s head up, that’s for sure. [Ed: ...

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High Rise Estate Of Mind, Battersea Arts Centre -Review

Homegrown Festival: Occupy There is an incredible buzz in the building tonight for the grand opening of Battersea Arts Centre’s Homegrown Festival: Occupy, an almost month-long takeover of this lovely old building, by under represented voices.  There is nothing quite like the hum of so many excited and engaged youngsters to make you smile and savour the energy and joy they can generate.  It’s almost worth going along just to sit and enjoy that feeling, but then again, whilst you ...

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We Know Now Snowmen Exist, The Space – review

We Know Now Snowmen Exist takes its inspiration from real life, if very loosely. In 1959 nine people died during a trek in the Dyatlov Pass, Russia, in some very strange circumstances indeed. It’s an incident that has become so infamous that Dyatlov Pass is even named after the leader of the hike. It’s an incident that has been the source of myth and speculation ever since.  Writer Michael Spencer clearly loves a horror yarn, transferring the story from Russia to ...

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Frankenstein: How To Make A Monster, Battersea Arts Centre – Review

Only last week I was writing “how adults can instil a sense of adventure into children”. Those words rung even more true tonight as a packed audience watched in pure delight this group of youths perform; a group so clearly inspired by people such as Conrad Murray, one of the men behind BAC Beatbox Academy, the makers and performers of Frankenstein. Conrad acted like the proud father as he introduced not just the show but other members of the academy, ...

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One Hundred Words For Snow, Trafalgar Studio 2 – review

All explorers are men.  Beady men at that.  So says Rory, who isn’t a man, even though she has a man’s name.  Although Rory is short for Arora, which isn’t much better in her eyes. We find all this out, plus so much more, within the first few minutes that follow Rory bounding onto the stage, already chatting to an audience that hasn’t even had the chance to settle down into their seats. She’s a bundle of pure energy and ...

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